Genre Fiction
- Publisher : Knopf; First Edition
- Published : 14 May 2013
- Pages : 496
- ISBN-10 : 0307271080
- ISBN-13 : 9780307271082
- Language : English
Americanah: A novel (ALA Notable Books for Adults)
One of The New York Times Book Review's Ten Best Books of the Year
LONGLISTED 2015 – International IMPAC Dublin Literary Award
From the award-winning author of Half of a Yellow Sun, a dazzling new novel: a story of love and race centered around a young man and woman from Nigeria who face difficult choices and challenges in the countries they come to call home.
As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are leaving the country if they can. Ifemelu-beautiful, self-assured-departs for America to study. She suffers defeats and triumphs, finds and loses relationships and friendships, all the while feeling the weight of something she never thought of back home: race. Obinze-the quiet, thoughtful son of a professor-had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London.
Years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a writer of an eye-opening blog about race in America. But when Ifemelu returns to Nigeria, and she and Obinze reignite their shared passion-for their homeland and for each other-they will face the toughest decisions of their lives.
Fearless, gripping, at once darkly funny and tender, spanning three continents and numerous lives, Americanah is a richly told story set in today's globalized world: Chimamanda Ngozi Adichie's most powerful and astonishing novel yet.
LONGLISTED 2015 – International IMPAC Dublin Literary Award
From the award-winning author of Half of a Yellow Sun, a dazzling new novel: a story of love and race centered around a young man and woman from Nigeria who face difficult choices and challenges in the countries they come to call home.
As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are leaving the country if they can. Ifemelu-beautiful, self-assured-departs for America to study. She suffers defeats and triumphs, finds and loses relationships and friendships, all the while feeling the weight of something she never thought of back home: race. Obinze-the quiet, thoughtful son of a professor-had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London.
Years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a writer of an eye-opening blog about race in America. But when Ifemelu returns to Nigeria, and she and Obinze reignite their shared passion-for their homeland and for each other-they will face the toughest decisions of their lives.
Fearless, gripping, at once darkly funny and tender, spanning three continents and numerous lives, Americanah is a richly told story set in today's globalized world: Chimamanda Ngozi Adichie's most powerful and astonishing novel yet.
Editorial Reviews
"What's as American as the invention of race? Self-invention. So we are reminded by Adichie's engaging third novel . . . Adichie is uniquely positioned to compare racial hierarchies in the United States to social striving in her native Nigeria. She does so in this new work with a ruthless honesty about the ugly and beautiful sides of both nations. Americanah is social satire masquerading as romantic comedy. . . . Beyond race, the book is about the immigrant's quest: self-invention, which is the American subject. Americanah is unique among the booming canon of immigrant literature of the last generation (including writers Junot Díaz, Jhumpa Lahiri, Gary Shteyngart, Chang-rae Lee, Dinaw Mengestu and Susan Choi). Its ultimate concern isn't the challenge of becoming American or the hyphenation that requires, but the challenge of going back home. . . . Affecting." -Emily Raboteau, The Washington Post
"Adichie's brave, sprawling novel tackles the U.S. race complex with a directness and brio no U.S. writer of any color would risk. . . . There's no question on this or any novel's resolving [our] race sickness. If it's so hard to say or do the right thing, what is to be done? [But] Americanah brings a cleansing frankness to a scab on the face of the Republic." -John Timpane, Philadelphia Inquirer
"Big, moving, deeply provocative . . . A tiny pinprick in the giant balloon of hot air that has swollen around the subject of race in post-civil-rights-era America. Adichie's finely observed new book, which combines perfectly calibrated social satire and heartfelt emotion, stands with Invisible Man and The Bluest Eye as a defining work about the experience of being black in America. More than race, Americanah is about all the ways people form their identities: what we put on and what we take off, the things we accumulate and those we discard along the way. . . . Adichie is as precise on the details of contemporary American life as Updike or Franzen . . . [Her] remarkable powers of observation drive this novel. Every detail feels relevant, because they all work as markers of what the novel calls ‘costume': the mannerisms and affectations that we use to create an image of ourselves in the eyes of others, and even ourselves. . . . Americanah shrugs off pretense and speaks the truth about how hard it is to live a life divided, whether between two people or two countries. . . . It is rare to come upon a novel that genuinely alters one's view of the world. For me, Americanah was one of those books, because it forced me to confront so many things that I myself have glossed over or pretended not to notice. I understand Obinze's story, and others in this book, through the force of Adichie's talent." -Ruth Fr...
"Adichie's brave, sprawling novel tackles the U.S. race complex with a directness and brio no U.S. writer of any color would risk. . . . There's no question on this or any novel's resolving [our] race sickness. If it's so hard to say or do the right thing, what is to be done? [But] Americanah brings a cleansing frankness to a scab on the face of the Republic." -John Timpane, Philadelphia Inquirer
"Big, moving, deeply provocative . . . A tiny pinprick in the giant balloon of hot air that has swollen around the subject of race in post-civil-rights-era America. Adichie's finely observed new book, which combines perfectly calibrated social satire and heartfelt emotion, stands with Invisible Man and The Bluest Eye as a defining work about the experience of being black in America. More than race, Americanah is about all the ways people form their identities: what we put on and what we take off, the things we accumulate and those we discard along the way. . . . Adichie is as precise on the details of contemporary American life as Updike or Franzen . . . [Her] remarkable powers of observation drive this novel. Every detail feels relevant, because they all work as markers of what the novel calls ‘costume': the mannerisms and affectations that we use to create an image of ourselves in the eyes of others, and even ourselves. . . . Americanah shrugs off pretense and speaks the truth about how hard it is to live a life divided, whether between two people or two countries. . . . It is rare to come upon a novel that genuinely alters one's view of the world. For me, Americanah was one of those books, because it forced me to confront so many things that I myself have glossed over or pretended not to notice. I understand Obinze's story, and others in this book, through the force of Adichie's talent." -Ruth Fr...
Readers Top Reviews
rachel irvenJess SS.
Read this book on Kindle while on holiday and found it an engaging and fascinating read. I have read other novels by Chimananda and always enjoyed them (just read her short stories The Thing around your neck, which I also really liked, each story individual, believable and enjoyable). But I think this has been my favourite so far. I ended up reading the last bit on the plane on the way home and was totally engrossed. Could not wait to find out what happened to the characters, they really came alive to me although they came from a culture and place I know little about. Brilliant, will recommend to friends, bookgroup etc
J. Ang
The writing and some of the observations and details were superb. However to me Ifemelu was such a selfish, self centered and self righteous woman that it made the book hard to read at times. For instance, I really disagreed with her comment on transcultural relationships being too much work. What a narrow view. If you love the person and they stimulated you intellectually, you would actually enjoy sharing your lives, triumphs and frustrations with them. Her behavior with Curt was appalling. She basically used him, was the beneficiary of his “legal” help, but deep down she resented him for his background and his “privilege”. So instead of displaying all this pride that she talked about and refuse his help and break up with him, she cheated on him. Worse she couldn’t understand why he wouldn’t just forgive. Her relationship with Blaine was an example of this self centered behavior and self righteousness. He represented her ideal American man. Black and educated. However she didn’t like him for him and was very judgmental of his friends and interests. Two examples were the situation with the protest (that she basically thought was silly and she couldn’t be bothered with) and this comment about American children education. Her superior attitude when she came back to Lagos was unbearable at times. Lastly her attitude with Odinze really took the cake. She basically cut him off but would from time to time send him a crumb. How selfish. Why tell him months in advance that you’re coming to Lagos if you’re not going to contact him? Then knowing that he is married she propositionhim and once they’re in a full blown affair she gets upset that he wants to reflect on what he is doing before making a decision which has far reaching consequences. How ironic how she thought her aunt was selling herself short by being a mistress but she jumped into it herself. I was disappointed in the ending as I spent the whole book waiting for her return to Lagos and the rekindling of her romantic relationship, and it felt really minimal. For instance, they never lived together so how did they managed their new life, his wealth and her attitude?
Richard A. Lockshin
I generally am not enthusiastic about novels, particularly those that use lots of details rather than beautiful writing to evoke a scene. In Americanah, Ms Adichi tells an interesting story that is ultimately a love story, but to me the most interesting parts of the book are her extensive blogs, which are very fresh and which create by detail as well as by language a moving and occasionally plaintive image of the loneliness and confusion of an immigrant, interspersed from time to time with an exhilaration of comfort and success in a new land. Since she is Nigerian, she adds to this mix her encounter with racism and interactions with both Nigerians from other tribes and with American Blacks. Overall it is a fascinating insight into a world crossed but rarely visited by many, and for this reason alone it is a very worthwhile read.
Luke HooverWilliam B
Goodness, this book is dreadful. The main character is so steeped in hypocrisy, the story is so bland and one-sided, the narrative jumps around and throws you off every time, each and every white character is a racist, each and every person of color is not, yadda yadda yadda; it is so boring. If I wanted to be lectured about how white people's ignorance is the reason for all of the problems in the black community, I would just read a CNN article. But no, I am forced by my university to endure this nearly 600 page book. This has ruined novels for me.
Delle
This is the first time that I have rated a book 5 stars! Adichie has now become my all time favorite writer. Her writing is exquisite, intelligent, somber, and thought provoking among other accolades that I can't quite describe. I have been an avid reader for the past 60 years. Although I have read some excellent books, I can truly say that this story left no stone unturned, no questions left unanswered. I am not a reviewer, but I know what I like! I don't like reviews that dissect each and every character, tell the plot, theme, problem and resolution. I just want to know why one does, or does not like a story. Therefore, I will do just that. Adichie's characters are well fleshed out. She gets in their mind, body, and soul. She is a fluent writer, so lyrical. I traveled with them. Wanted to understand them. And I really wanted to taste their food and learn some Igbo. I just don't know what took me so long to find Ms. Adichie. Shame on me!
Short Excerpt Teaser
Princeton, in the summer, smelled of nothing, and although Ifemelu liked the tranquil greenness of the many trees, the clean streets and stately homes, the delicately overpriced shops, and the quiet, abiding air of earned grace, it was this, the lack of a smell, that most appealed to her, perhaps because the other American cities she knew well had all smelled distinctly. Philadelphia had the musty scent of history. New Haven smelled of neglect. Baltimore smelled of brine, and Brooklyn of sun-warmed garbage. But Princeton had no smell. She liked taking deep breaths here. She liked watching the locals who drove with pointed courtesy and parked their latest model cars outside the organic grocery store on Nassau Street or outside the sushi restaurants or outside the ice cream shop that had fifty different flavors including red pepper or outside the post office where effusive staff bounded out to greet them at the entrance. She liked the campus, grave with knowledge, the Gothic buildings with their vine-laced walls, and the way everything transformed, in the half-light of night, into a ghostly scene. She liked, most of all, that in this place of affluent ease, she could pretend to be someone else, someone specially admitted into a hallowed American club, someone adorned with certainty.
But she did not like that she had to go to Trenton to braid her hair. It was unreasonable to expect a braiding salon in Princeton-the few black locals she had seen were so light-skinned and lank-haired she could not imagine them wearing braids-and yet as she waited at Princeton Junction station for the train, on an afternoon ablaze with heat, she wondered why there was no place where she could braid her hair. The chocolate bar in her handbag had melted. A few other people were waiting on the platform, all of them white and lean, in short, flimsy clothes. The man standing closest to her was eating an ice cream cone; she had always found it a little irresponsible, the eating of ice cream cones by grown-up American men, especially the eating of ice cream cones by grown-up American men in public. He turned to her and said, "About time," when the train finally creaked in, with the familiarity strangers adopt with each other after sharing in the disappointment of a public service. She smiled at him. The graying hair on the back of his head was swept forward, a comical arrangement to disguise his bald spot. He had to be an academic, but not in the humanities or he would be more self-conscious. A firm science like chemistry, maybe. Before, she would have said, "I know," that peculiar American expression that professed agreement rather than knowledge, and then she would have started a conversation with him, to see if he would say something she could use in her blog. People were flattered to be asked about themselves and if she said nothing after they spoke, it made them say more. They were conditioned to fill silences. If they asked what she did, she would say vaguely, "I write a lifestyle blog," because saying "I write an anonymous blog called Raceteenth or Various Observations About American Blacks (Those Formerly Known as Negroes) by a Non-American Black" would make them uncomfortable. She had said it, though, a few times. Once to a dreadlocked white man who sat next to her on the train, his hair like old twine ropes that ended in a blond fuzz, his tattered shirt worn with enough piety to convince her that he was a social warrior and might make a good guest blogger. "Race is totally overhyped these days, black people need to get over themselves, it's all about class now, the haves and the have-nots," he told her evenly, and she used it as the opening sentence of a post titled "Not All Dreadlocked White American Guys Are Down." Then there was the man from Ohio, who was squeezed next to her on a flight. A middle manager, she was sure, from his boxy suit and contrast collar. He wanted to know what she meant by "lifestyle blog," and she told him, expecting him to become reserved, or to end the conversation by saying something defensively bland like "The only race that matters is the human race." But he said, "Ever write about adoption? Nobody wants black babies in this country, and I don't mean biracial, I mean black. Even the black families don't want them."
He told her that he and his wife had adopted a black child and their neighbors looked at them as though they had chosen to become martyrs for a dubious cause. Her blog post about him, "Badly-Dressed White Middle Managers from Ohio Are Not Always What You Think," had received the highest number of comments for that month. She still wondered if he had read it. She hoped so. Often, she would sit in cafés, or airports, or train stations, watching strangers, imagining their lives, and wonderi...
But she did not like that she had to go to Trenton to braid her hair. It was unreasonable to expect a braiding salon in Princeton-the few black locals she had seen were so light-skinned and lank-haired she could not imagine them wearing braids-and yet as she waited at Princeton Junction station for the train, on an afternoon ablaze with heat, she wondered why there was no place where she could braid her hair. The chocolate bar in her handbag had melted. A few other people were waiting on the platform, all of them white and lean, in short, flimsy clothes. The man standing closest to her was eating an ice cream cone; she had always found it a little irresponsible, the eating of ice cream cones by grown-up American men, especially the eating of ice cream cones by grown-up American men in public. He turned to her and said, "About time," when the train finally creaked in, with the familiarity strangers adopt with each other after sharing in the disappointment of a public service. She smiled at him. The graying hair on the back of his head was swept forward, a comical arrangement to disguise his bald spot. He had to be an academic, but not in the humanities or he would be more self-conscious. A firm science like chemistry, maybe. Before, she would have said, "I know," that peculiar American expression that professed agreement rather than knowledge, and then she would have started a conversation with him, to see if he would say something she could use in her blog. People were flattered to be asked about themselves and if she said nothing after they spoke, it made them say more. They were conditioned to fill silences. If they asked what she did, she would say vaguely, "I write a lifestyle blog," because saying "I write an anonymous blog called Raceteenth or Various Observations About American Blacks (Those Formerly Known as Negroes) by a Non-American Black" would make them uncomfortable. She had said it, though, a few times. Once to a dreadlocked white man who sat next to her on the train, his hair like old twine ropes that ended in a blond fuzz, his tattered shirt worn with enough piety to convince her that he was a social warrior and might make a good guest blogger. "Race is totally overhyped these days, black people need to get over themselves, it's all about class now, the haves and the have-nots," he told her evenly, and she used it as the opening sentence of a post titled "Not All Dreadlocked White American Guys Are Down." Then there was the man from Ohio, who was squeezed next to her on a flight. A middle manager, she was sure, from his boxy suit and contrast collar. He wanted to know what she meant by "lifestyle blog," and she told him, expecting him to become reserved, or to end the conversation by saying something defensively bland like "The only race that matters is the human race." But he said, "Ever write about adoption? Nobody wants black babies in this country, and I don't mean biracial, I mean black. Even the black families don't want them."
He told her that he and his wife had adopted a black child and their neighbors looked at them as though they had chosen to become martyrs for a dubious cause. Her blog post about him, "Badly-Dressed White Middle Managers from Ohio Are Not Always What You Think," had received the highest number of comments for that month. She still wondered if he had read it. She hoped so. Often, she would sit in cafés, or airports, or train stations, watching strangers, imagining their lives, and wonderi...