Poetry
![Warsan Shire - [object Object] author](https://res.cloudinary.com/readsomnia/image/upload/authors/a_B00CNFXBRO.jpg)
Bless the Daughter Raised by a Voice in Her Head: Poems
Poems of migration, womanhood, trauma, and resilience from the celebrated collaborator on Beyoncé's Lemonade and Black Is King, award-winning Somali British poet Warsan Shire
"The beautifully crafted poems in this collection are fiercely tender gifts."-Roxane Gay, author of Bad Feminist and Hunger
ONE OF THE MOST ANTICIPATED BOOKS OF 2022-Vogue, BuzzFeed, Esquire, Bustle, Essence, The Week, Lit Hub
Mama, I made it / out of your home / alive, raised by / the voices / in my head.
With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own way toward womanhood. Drawing from her own life, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls. In Shire's hands, lives spring into fullness. This is noisy life, full of music and weeping and surahs and sirens and birds. This is fragrant life, full of blood and perfume and shisha smoke and jasmine and incense. This is polychrome life, full of henna and moonlight and lipstick and turmeric and kohl. The long-awaited collection from one of our most exciting contemporary poets, this book is a blessing, an incantatory celebration of resilience and survival. Each reader will come away changed.
"The beautifully crafted poems in this collection are fiercely tender gifts."-Roxane Gay, author of Bad Feminist and Hunger
ONE OF THE MOST ANTICIPATED BOOKS OF 2022-Vogue, BuzzFeed, Esquire, Bustle, Essence, The Week, Lit Hub
Mama, I made it / out of your home / alive, raised by / the voices / in my head.
With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own way toward womanhood. Drawing from her own life, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls. In Shire's hands, lives spring into fullness. This is noisy life, full of music and weeping and surahs and sirens and birds. This is fragrant life, full of blood and perfume and shisha smoke and jasmine and incense. This is polychrome life, full of henna and moonlight and lipstick and turmeric and kohl. The long-awaited collection from one of our most exciting contemporary poets, this book is a blessing, an incantatory celebration of resilience and survival. Each reader will come away changed.
Editorial Reviews
"It is not overstatement to say Shire writes the way Nina Simone sang. All the brilliance of her lean, monumental Teaching My Mother How to Give Birth is magnified in this remarkable new book."-Terrance Hayes, author of American Sonnets for My Past and Future Assassin
"Beauty is maddeningly elusive, but it does exist. It's here in these lines, bursting brilliant, reshaping the story."-Patricia Smith, author of Incendiary Art
"Warsan Shire's exquisite, memorable, and finely tuned poems articulate a depth of experience that never fails to surprise and profoundly move me, as she so powerfully gives voice to the unspoken."-Bernardine Evaristo, author of Girl, Woman, Other
"Heartbreaking, full-bodied, and luscious . . . If someone from another planet wanted to know what it was like for a woman to survive on earth, they should read this book!"-Pascale Petit, author of Tiger Girl
"This fierce and compelling book of poems should come with a warning label: These poems will break your heart."-Julia Alvarez, author of In the Time of the Butterflies and Afterlife
"Warsan Shire is an expert sculptor. She molds words into clay, her poems into statues-each one a wonder that I return to, in reverence."-Vivek Shraya, author of I'm Afraid of Men and even this page is white
"Beauty is maddeningly elusive, but it does exist. It's here in these lines, bursting brilliant, reshaping the story."-Patricia Smith, author of Incendiary Art
"Warsan Shire's exquisite, memorable, and finely tuned poems articulate a depth of experience that never fails to surprise and profoundly move me, as she so powerfully gives voice to the unspoken."-Bernardine Evaristo, author of Girl, Woman, Other
"Heartbreaking, full-bodied, and luscious . . . If someone from another planet wanted to know what it was like for a woman to survive on earth, they should read this book!"-Pascale Petit, author of Tiger Girl
"This fierce and compelling book of poems should come with a warning label: These poems will break your heart."-Julia Alvarez, author of In the Time of the Butterflies and Afterlife
"Warsan Shire is an expert sculptor. She molds words into clay, her poems into statues-each one a wonder that I return to, in reverence."-Vivek Shraya, author of I'm Afraid of Men and even this page is white
Readers Top Reviews
Short Excerpt Teaser
Extreme Girlhood
A loop, a girl born
to each family,
prelude to suffering.
Bless the baby girl,
caul of dissatisfaction,
patron saint of not
good enough.
Are you there, God?
It's me, Warsan.
Maladaptive daydreaming,
obsessive, dissociative.
Born to a lullaby
lamenting melanin,
newborn ears checked
for the first signs of color.
At first I was afraid, I was petrified.
The child reads surahs each night
to veil her from il
protecting body and home
from intruders.
She wakes with a fright,
someone cutting the rope,
something creeping
deep inside her.
Are you there, God?
It's me, the ugly one.
Bless the Type 4 child,
scalp massaged with the milk
of cruelty, cranium cursed,
crushed between adult knees,
drenched in pink lotion.
Everything you did to me,
I remember.
Mama, I made it
out of your home
alive, raised by
the voices
in my head.
Home
I
No one leaves home unless home is the mouth of a shark. You only run for the border when you see the whole city running as well. The boy you went to school with, who kissed you dizzy behind the old tin factory is holding a gun bigger than his body. You only leave home when home won't let you stay.
No one would leave home unless home chased you. It's not something you ever thought about doing, so when you did, you carried the anthem under your breath, waiting until the airport toilet to tear up the passport and swallow, each mournful mouthful making it clear you would not be going back.
No one puts their children in a boat, unless the water is safer than the land. No one would choose days and nights in the stomach of a truck, unless the miles traveled meant something more than journey.
No one would choose to crawl under fences, beaten until your shadow leaves, raped, forced off the boat because you are darker, drowned, sold, starved, shot at the border like a sick animal, pitied. No one would choose to make a refugee camp home for a year or two or ten, stripped and searched, finding prison everywhere. And if you were to survive, greeted on the other side-Go home Blacks, dirty refugees, sucking our country dry of milk, dark with their hands out, smell strange, savage, look what they've done to their own countries, what will they do to ours?
The insults are easier to swallow than finding your child's body in the rubble.
I want to go home, but home is the mouth of a shark. Home is the barrel of a gun. No one would leave home unless home chased you to the shore. No one would leave home until home is a voice in your ear saying-leave, run, now. I don't know what I've become.
II
I don't know where I'm going. Where I came from is disappearing. I am unwelcome. My beauty is not beauty here. My body is burning with the shame of not belonging, my body is longing. I am the sin of memory and the absence of memory. I watch the news and my mouth becomes a sink full of blood. The lines, forms, people at the desks, calling cards, immigration officers, the looks on the street, the cold settling deep into my bones, the English classes at night, the distance I am from home. Alhamdulillah, all of this is better than the scent of a woman completely on fire, a truckload of men who look like my father-pulling out my teeth and nails. All these men between my legs, a gun, a promise, a lie, his name, his flag, his language, his manhood in my mouth.
Bless This House
Mother says there are locked rooms inside all women.
Sometimes, the men-they come with keys,
and sometimes, the men-they come with hammers.
Nin soo joog laga waayo, soo jiifso aa laga helaa,
A man who won't listen to words, will listen to action.
I said Stop, I said No and he heard nothing.
Perhaps she has a plan, perhaps she takes him back to hers.
Perhaps he wakes up hours later in a bathtub full of ice,
dry mouth, flinching at his new, neat incision.
I point to my body and say Oh, this old thing? No, I just slipped it on.
Are you going to eat that? I say to my mother, pointing
to my father on the dining room table, mouth stuffed with a red apple.
The bigger my body is, the more locked rooms I find. The more men
queue at the door. Ahmed didn't push it all the way in, I still think about what he could have opened up inside of me. Ali hesitated at the door for three years. Johnny with the blue eyes came with a bag of tools he'd used on other women: one hairpin, a bottle o...
A loop, a girl born
to each family,
prelude to suffering.
Bless the baby girl,
caul of dissatisfaction,
patron saint of not
good enough.
Are you there, God?
It's me, Warsan.
Maladaptive daydreaming,
obsessive, dissociative.
Born to a lullaby
lamenting melanin,
newborn ears checked
for the first signs of color.
At first I was afraid, I was petrified.
The child reads surahs each night
to veil her from il
protecting body and home
from intruders.
She wakes with a fright,
someone cutting the rope,
something creeping
deep inside her.
Are you there, God?
It's me, the ugly one.
Bless the Type 4 child,
scalp massaged with the milk
of cruelty, cranium cursed,
crushed between adult knees,
drenched in pink lotion.
Everything you did to me,
I remember.
Mama, I made it
out of your home
alive, raised by
the voices
in my head.
Home
I
No one leaves home unless home is the mouth of a shark. You only run for the border when you see the whole city running as well. The boy you went to school with, who kissed you dizzy behind the old tin factory is holding a gun bigger than his body. You only leave home when home won't let you stay.
No one would leave home unless home chased you. It's not something you ever thought about doing, so when you did, you carried the anthem under your breath, waiting until the airport toilet to tear up the passport and swallow, each mournful mouthful making it clear you would not be going back.
No one puts their children in a boat, unless the water is safer than the land. No one would choose days and nights in the stomach of a truck, unless the miles traveled meant something more than journey.
No one would choose to crawl under fences, beaten until your shadow leaves, raped, forced off the boat because you are darker, drowned, sold, starved, shot at the border like a sick animal, pitied. No one would choose to make a refugee camp home for a year or two or ten, stripped and searched, finding prison everywhere. And if you were to survive, greeted on the other side-Go home Blacks, dirty refugees, sucking our country dry of milk, dark with their hands out, smell strange, savage, look what they've done to their own countries, what will they do to ours?
The insults are easier to swallow than finding your child's body in the rubble.
I want to go home, but home is the mouth of a shark. Home is the barrel of a gun. No one would leave home unless home chased you to the shore. No one would leave home until home is a voice in your ear saying-leave, run, now. I don't know what I've become.
II
I don't know where I'm going. Where I came from is disappearing. I am unwelcome. My beauty is not beauty here. My body is burning with the shame of not belonging, my body is longing. I am the sin of memory and the absence of memory. I watch the news and my mouth becomes a sink full of blood. The lines, forms, people at the desks, calling cards, immigration officers, the looks on the street, the cold settling deep into my bones, the English classes at night, the distance I am from home. Alhamdulillah, all of this is better than the scent of a woman completely on fire, a truckload of men who look like my father-pulling out my teeth and nails. All these men between my legs, a gun, a promise, a lie, his name, his flag, his language, his manhood in my mouth.
Bless This House
Mother says there are locked rooms inside all women.
Sometimes, the men-they come with keys,
and sometimes, the men-they come with hammers.
Nin soo joog laga waayo, soo jiifso aa laga helaa,
A man who won't listen to words, will listen to action.
I said Stop, I said No and he heard nothing.
Perhaps she has a plan, perhaps she takes him back to hers.
Perhaps he wakes up hours later in a bathtub full of ice,
dry mouth, flinching at his new, neat incision.
I point to my body and say Oh, this old thing? No, I just slipped it on.
Are you going to eat that? I say to my mother, pointing
to my father on the dining room table, mouth stuffed with a red apple.
The bigger my body is, the more locked rooms I find. The more men
queue at the door. Ahmed didn't push it all the way in, I still think about what he could have opened up inside of me. Ali hesitated at the door for three years. Johnny with the blue eyes came with a bag of tools he'd used on other women: one hairpin, a bottle o...
