Fantasy
- Publisher : Del Rey
- Published : 08 Nov 2022
- Pages : 480
- ISBN-10 : 0593359615
- ISBN-13 : 9780593359617
- Language : English
Blood of Tyrants: Book Eight of Temeraire
From the New York Times bestselling author of A Deadly Education comes the eighth and penultimate volume of the Temeraire series, in which Will Laurence finds himself shipwrecked in Japan with no memory of his dragon, Temeraire, or his past.
"A first-class entry in a remarkable and appealing series." -Kirkus Reviews (starred review)
This alternate version of the Napoleonic War-with dragons!-ramps up as the eighth and penultimate Temeraire novel takes us to Japan, where a shattered Captain Laurence is washed up on the shores remembering nothing of his past save as the captain of the navy ship Reliant. He struggles to remember why he is in Japan and why he has a startling knowledge of the Chinese language. He has no memory whatever of his dragon, Temeraire-which distresses Temeraire greatly when they are finally reunited. But so great is their bond that the two once again find themselves at the forefront of the war against Napoleon . . . just when all looks most hopeless.
Don't miss any of Naomi Novik's magical Temeraire series
HIS MAJESTY'S DRAGON • THRONE OF JADE • BLACK POWDER WAR • EMPIRE OF IVORY • VICTORY OF EAGLES • TONGUES OF SERPENTS • CRUCIBLE OF GOLD • BLOOD OF TYRANTS • LEAGUE OF DRAGONS
"A first-class entry in a remarkable and appealing series." -Kirkus Reviews (starred review)
This alternate version of the Napoleonic War-with dragons!-ramps up as the eighth and penultimate Temeraire novel takes us to Japan, where a shattered Captain Laurence is washed up on the shores remembering nothing of his past save as the captain of the navy ship Reliant. He struggles to remember why he is in Japan and why he has a startling knowledge of the Chinese language. He has no memory whatever of his dragon, Temeraire-which distresses Temeraire greatly when they are finally reunited. But so great is their bond that the two once again find themselves at the forefront of the war against Napoleon . . . just when all looks most hopeless.
Don't miss any of Naomi Novik's magical Temeraire series
HIS MAJESTY'S DRAGON • THRONE OF JADE • BLACK POWDER WAR • EMPIRE OF IVORY • VICTORY OF EAGLES • TONGUES OF SERPENTS • CRUCIBLE OF GOLD • BLOOD OF TYRANTS • LEAGUE OF DRAGONS
Editorial Reviews
Praise for His Majesty's Dragon and the Temeraire series
"These are beautifully written novels-not only fresh, original, and fast paced, but full of wonderful characters with real heart. [The Temeraire series] is a terrific meld of two genres that I particularly love-fantasy and historical epic."-Peter Jackson
"A terrifically entertaining fantasy novel . . . Is it hard to imagine a cross between Susanna Clarke, of Norrell and Strange fame, and the late Patrick O'Brian? Not if you've read this wonderful, arresting novel."-Stephen King
"A splendid series . . . Not only is it a new way to utilize dragons, it's a very clever one and fits neatly into the historical niche this author has used."-Anne McCaffrey
"Just when you think you've seen every variation possible on the dragon story, along comes Naomi Novik. Her wonderful Temeraire is a dragon for the ages."-Terry Brooks
"Enthralling reading-it's like Jane Austen playing Dungeons & Dragons with Eragon's Christopher Paolini."-Time
"A completely authentic tale, brimming with all the detail and richness one looks for . . . as well as the impossible wonder of gilded fantasy."-Entertainment Weekly (Editor's Choice, Grade: A)
"Novik has accomplished something singular with her Temeraire series. . . . At its heart, it's a story about friendship that transcends not only time and class, but species."-NPR
"[Naomi Novik] is soaring on the wings of a dragon."-The New York Times
"A thrilling fantasy . . . All hail Naomi Novik."-The Washington Post Book World
"An amazing performance . . . [I] was immediately hooked by the writing, the research and the sheer courage of the whole enterprise."-Chicago Tribune
"Novik's influences run the gamut from Jane Austen to Patrick O'Brian, with a side trip through Anne McCaffrey. Her books are completely ...
"These are beautifully written novels-not only fresh, original, and fast paced, but full of wonderful characters with real heart. [The Temeraire series] is a terrific meld of two genres that I particularly love-fantasy and historical epic."-Peter Jackson
"A terrifically entertaining fantasy novel . . . Is it hard to imagine a cross between Susanna Clarke, of Norrell and Strange fame, and the late Patrick O'Brian? Not if you've read this wonderful, arresting novel."-Stephen King
"A splendid series . . . Not only is it a new way to utilize dragons, it's a very clever one and fits neatly into the historical niche this author has used."-Anne McCaffrey
"Just when you think you've seen every variation possible on the dragon story, along comes Naomi Novik. Her wonderful Temeraire is a dragon for the ages."-Terry Brooks
"Enthralling reading-it's like Jane Austen playing Dungeons & Dragons with Eragon's Christopher Paolini."-Time
"A completely authentic tale, brimming with all the detail and richness one looks for . . . as well as the impossible wonder of gilded fantasy."-Entertainment Weekly (Editor's Choice, Grade: A)
"Novik has accomplished something singular with her Temeraire series. . . . At its heart, it's a story about friendship that transcends not only time and class, but species."-NPR
"[Naomi Novik] is soaring on the wings of a dragon."-The New York Times
"A thrilling fantasy . . . All hail Naomi Novik."-The Washington Post Book World
"An amazing performance . . . [I] was immediately hooked by the writing, the research and the sheer courage of the whole enterprise."-Chicago Tribune
"Novik's influences run the gamut from Jane Austen to Patrick O'Brian, with a side trip through Anne McCaffrey. Her books are completely ...
Readers Top Reviews
SansaKindle Doria
The only temeraire series books I didn't like as much were book 4 and 6 but I enjoyed this one; I love how she goes to so many different countries and describes the practices and cultures of dragons in each one. I loved hearing about Japan and Russia, and we finally got back to more Napoleon battles which is what the series is about. My only complaint is I would love to hear more from Lien in person, but it does add to her mystery I grant you. Eagerly awaiting the last book next year after this one!
R. Wileman
I had to smile when I read another review, in which the reader felt the memory-loss of the human hero was not convincing. Since I can accept the concept of talking dragons fighting on different sides in the Napoleonic wars, the memory-loss was not a big hurdle for me! I loved this one as much as the previous seven books (just slightly peeved that i hadn't noticed it was out sooner!). I would suggest anyone coming new to the series should start at the beginning, although I was impressed with the way Naomi Norvik refers to previous events in a subtle way, without pages of boring repetitious information which could spoil the narrative. The story flows along as usual, I couldn't put it down and read long into the night in order to finish it! Then wished I hadn't as there was nothing to look forward to!
Steve Culshaw
Brilliant series ... Hornblower meets Game of Thrones Naomi Novik has put together an excellent series of books. It's got a great set of characters, especially Lawrence and Temeraire, it moves around the globe to lots of interesting locations. I usually read a series of books interleaved with my other books ... not so with Temeraire. It's that good I read all nine of them back to back
Rubane
I had been getting bored /w the Temeraire series to the point that I didn't even realize this book had come out until I saw it in the bookstore. The book flap let me know it was the penultimate novel (next to last - i had to look it up :D) and figured it'd be nice to finish the series. The book is broken up into 'sections' so it reads more like a couple short books smashed together. The transitions were okay. My biggest issue was remembering who all the characters and dragons were along with all their backgrounds and relationships since Laurence is way too 'proper' to outright say what's going on half the time, but after 'researching' the internet, I re-gathered enough to not be constantly confused. There are a couple of twists in the book, which were ok. Some were obvious and others (towards the end) I did not see coming and kept me on my toes...until the realization that it was the setup for the inevitable cliffhanger b/f the final novel. One part I did not like is that I don't really feel like any of the characters are developing. There are some new developments, but they all feel like plot developments designed to 'end' the series, which I'm okay with. I do greatly enjoy this series and like how it ties together dragons and historic fiction. I feel like the writing style greatly captures the era (at least in my mind's eye) and I greatly enjoy reading how different cultures exist/co-exist and interact with dragons. The part I'm not wild about is how it becomes increasingly more obvious how horrible the 'good guys' are and I just can't root for them. Then again, I guess this all about the shades of grey.
Short Excerpt Teaser
Chapter 1
Water lapping salt at his cheek roused him, a fresh cold trickle finding its way into the hollow of sand where his face rested. It spurred him: with an effort he pushed to hands and knees and then up, to stagger indecorously along the shore and fall again at the foot of several gnarled old pines clinging to the edge of the beach.
His mouth was dry and cracked, his tongue swollen. His hands were clotted with sand. The wind bit sharply through the sodden wool of his coat, stained black with water, and he was barefoot. Slowly, he unfastened the remnants of a leather harness from around his waist: buckles and clasps of good steel, still bright, but heavily waterlogged; he let it fall to the sand. The sword-belt he kept. The blade when he drew it was bright Damascus steel, the hilt wrapped in black ray-skin, the collar the golden head of a dragon. He stared down at it, without recognition.
He rested it across his knees and leaned back against the tree, half-drifting. The empty ocean stood before him: water cold dark blue, the sky a thin grey; dark clouds receded into the east. He might have emerged onto the sand new-born. He felt as empty as the shore: of strength, of history, of name.
Thirst at last drove him onwards, when little else would have served to rouse him. The stand of trees gave onto a road, well-maintained and showing the signs of heavy use, recent tracks and disturbed dust. He walked slowly and mechanically until he found a narrow stream that crossed the road, traveling towards the sea, and he stopped and cupped water into his mouth urgently until the taste of salt had gone.
He held himself braced on hands and knees, water dripping from his face into the stream. The bank had a little new grass, though the ground was still cold. There was a smell in the air of pine-needles, and the stream ran over the rocks in a steady gurgle, mingling with the more distant sound of the ocean, the scent of salt on the wind. He felt inwardly the sense of something urgent and forgotten like a weight on his back. But his trembling arms slowly gave way. He lay down on the grass of the riverbank where he had knelt to drink and fell again into a heavy torpor; his head ached dully.
The sun climbed, warmed his coat. Travelers went past on the nearby road. He was distantly aware of the jingle of harness and slap of walking feet, the occasional creak of cart wheels, but none of them stopped to bother him or even halted by the stream. A small party of men went by singing off-key, loudly and cheerfully, not in any tongue he knew. At last a larger company came, accompanied by the familiar creaking of an old-fashioned sedan-chair. Some confused corner of his mind offered the image of an older woman, borne by porters through London streets, but even as it came he knew it wrong.
The creaking stopped abruptly; a voice spoke from the chair: a clear tenor with the directness of authority. Prudence would have driven him to his feet, but he had no reserves of strength. In a moment, someone came to inspect him-a servant of some kind? He had some vague impression of a youth bending down over him, but not so low that the face came clear.
The servant paused, and then withdrew quickly to his master and spoke urgently in a clear young voice. There was another pause, and then the master spoke again in yet another tongue, one which he could not put a name to and nevertheless somehow understood: a rising and falling speech, musical. "I will not evade the will of Heaven. Tell me."
"He is Dutch," the servant answered in that same language, reluctance clear in every word.
He might have raised his head to speak-he was not Dutch, and knew that, if very little else; but he was cold, and his limbs heavier with every moment.
"Master, let us go on-"
"Enough," the tenor voice said, quiet but final.
He heard orders given in the unfamiliar language while darkness stole over his vision; there were hands on him, their warmth welcome. He was lifted from the ground and slung into a sheet or a net for carrying; he could not even open his eyes to see. The company moved on; suspended in mid-air, swinging steadily back and forth as they went on, he felt almost as though he were in a hammock, aboard ship, swaying with the water. The movement lulled him; his pain dulled; he knew nothing more.
"William Laurence," he said, and woke with his own name, at least, restored to him: out of a tangled dream full of burning sails and a strange weight of despair, a sinking ship. It faded as he struggled up to sit. He had been lain on a thin pad laid upon a floor of woven straw matting, in a room like none he had ever seen before: one solid wooden wall, the rest of translucent white...
Water lapping salt at his cheek roused him, a fresh cold trickle finding its way into the hollow of sand where his face rested. It spurred him: with an effort he pushed to hands and knees and then up, to stagger indecorously along the shore and fall again at the foot of several gnarled old pines clinging to the edge of the beach.
His mouth was dry and cracked, his tongue swollen. His hands were clotted with sand. The wind bit sharply through the sodden wool of his coat, stained black with water, and he was barefoot. Slowly, he unfastened the remnants of a leather harness from around his waist: buckles and clasps of good steel, still bright, but heavily waterlogged; he let it fall to the sand. The sword-belt he kept. The blade when he drew it was bright Damascus steel, the hilt wrapped in black ray-skin, the collar the golden head of a dragon. He stared down at it, without recognition.
He rested it across his knees and leaned back against the tree, half-drifting. The empty ocean stood before him: water cold dark blue, the sky a thin grey; dark clouds receded into the east. He might have emerged onto the sand new-born. He felt as empty as the shore: of strength, of history, of name.
Thirst at last drove him onwards, when little else would have served to rouse him. The stand of trees gave onto a road, well-maintained and showing the signs of heavy use, recent tracks and disturbed dust. He walked slowly and mechanically until he found a narrow stream that crossed the road, traveling towards the sea, and he stopped and cupped water into his mouth urgently until the taste of salt had gone.
He held himself braced on hands and knees, water dripping from his face into the stream. The bank had a little new grass, though the ground was still cold. There was a smell in the air of pine-needles, and the stream ran over the rocks in a steady gurgle, mingling with the more distant sound of the ocean, the scent of salt on the wind. He felt inwardly the sense of something urgent and forgotten like a weight on his back. But his trembling arms slowly gave way. He lay down on the grass of the riverbank where he had knelt to drink and fell again into a heavy torpor; his head ached dully.
The sun climbed, warmed his coat. Travelers went past on the nearby road. He was distantly aware of the jingle of harness and slap of walking feet, the occasional creak of cart wheels, but none of them stopped to bother him or even halted by the stream. A small party of men went by singing off-key, loudly and cheerfully, not in any tongue he knew. At last a larger company came, accompanied by the familiar creaking of an old-fashioned sedan-chair. Some confused corner of his mind offered the image of an older woman, borne by porters through London streets, but even as it came he knew it wrong.
The creaking stopped abruptly; a voice spoke from the chair: a clear tenor with the directness of authority. Prudence would have driven him to his feet, but he had no reserves of strength. In a moment, someone came to inspect him-a servant of some kind? He had some vague impression of a youth bending down over him, but not so low that the face came clear.
The servant paused, and then withdrew quickly to his master and spoke urgently in a clear young voice. There was another pause, and then the master spoke again in yet another tongue, one which he could not put a name to and nevertheless somehow understood: a rising and falling speech, musical. "I will not evade the will of Heaven. Tell me."
"He is Dutch," the servant answered in that same language, reluctance clear in every word.
He might have raised his head to speak-he was not Dutch, and knew that, if very little else; but he was cold, and his limbs heavier with every moment.
"Master, let us go on-"
"Enough," the tenor voice said, quiet but final.
He heard orders given in the unfamiliar language while darkness stole over his vision; there were hands on him, their warmth welcome. He was lifted from the ground and slung into a sheet or a net for carrying; he could not even open his eyes to see. The company moved on; suspended in mid-air, swinging steadily back and forth as they went on, he felt almost as though he were in a hammock, aboard ship, swaying with the water. The movement lulled him; his pain dulled; he knew nothing more.
"William Laurence," he said, and woke with his own name, at least, restored to him: out of a tangled dream full of burning sails and a strange weight of despair, a sinking ship. It faded as he struggled up to sit. He had been lain on a thin pad laid upon a floor of woven straw matting, in a room like none he had ever seen before: one solid wooden wall, the rest of translucent white...