Genre Fiction
- Publisher : Del Rey
- Published : 11 Apr 2023
- Pages : 352
- ISBN-10 : 0593355350
- ISBN-13 : 9780593355350
- Language : English
The Daughter of Doctor Moreau
NEW YORK TIMES BESTSELLER • From the bestselling author of Mexican Gothic and Velvet Was the Night comes a lavish historical drama reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.
"This is historical science fiction at its best: a dreamy reimagining of a classic story with vivid descriptions of lush jungles and feminist themes. Some light romance threads through the heavier ethical questions concerning humanity."-Library Journal (starred review)
"The imagination of Silvia Moreno-Garcia is a thing of wonder, restless and romantic, fearless in the face of genre, embracing the polarities of storytelling-the sleek and the bizarre, wild passions and deep hatreds-with cool equanimity."-The New York Times (Editors' Choice)
ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, NPR, Polygon, Tordotcom, Paste, CrimeReads, Booklist
Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman.
Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers.
The hybrids: The fruits of the doctor's labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities.
All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau's patron, who will unwittingly begin a dangerous chain reaction.
For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite.
The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.
"This is historical science fiction at its best: a dreamy reimagining of a classic story with vivid descriptions of lush jungles and feminist themes. Some light romance threads through the heavier ethical questions concerning humanity."-Library Journal (starred review)
"The imagination of Silvia Moreno-Garcia is a thing of wonder, restless and romantic, fearless in the face of genre, embracing the polarities of storytelling-the sleek and the bizarre, wild passions and deep hatreds-with cool equanimity."-The New York Times (Editors' Choice)
ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, NPR, Polygon, Tordotcom, Paste, CrimeReads, Booklist
Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman.
Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers.
The hybrids: The fruits of the doctor's labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities.
All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau's patron, who will unwittingly begin a dangerous chain reaction.
For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite.
The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.
Editorial Reviews
"The imagination of Silvia Moreno-Garcia is a thing of wonder, restless and romantic, fearless in the face of genre, embracing the polarities of storytelling- the sleek and the bizarre, wild passions and deep hatreds-with cool equanimity."-The New York Times
"If there are two things I love in this world, it's contemporary reimaginings of Victorian era horror and sci-fi, and joyful genre mashups in literature. Thank the Lord, then, for Silvia Moreno-Garcia, the author of the 1970s Mexico City noir Velvet Was the Night and the postcolonial gothic romance Mexican Gothic, who brings her chameleonic powers to bear on H. G. Wells's 1896 ‘exercise in youthful blasphemy.'"-Lit Hub
"The brilliant and unstoppable Silvia Moreno-Garcia continues to weave her magic in The Daughter of Doctor Moreau, a smart, sinister fable about social inequality and exploitation, isolation and abuse of power. Both lacerating and deeply empathetic, this story satisfies the reader on every page."-Paula McLain, author of The Paris Wife and When the Stars Go Dark
"Silvia Moreno-Garcia goes from strength to strength. The Daughter of Doctor Moreau is my favorite of her novels so far-a gothic tour de force with characters who will keep you glued to the page, and a series of satisfying, surprising riffs on Wells's original story."-Kelly Link, author of Get in Trouble
"Beautiful, feral, and as sharp as a jaguar's claws . . . I felt the anger and hope in this story down to my very bones. Truly, Silvia Moreno-Garcia is a virtuoso of the anti-imperialist gothic novel."-Annalee Newitz, author of Autonomous and Four Lost Cities: A Secret History of the Urban Age
"With intelligence, energy, and unexpected tenderness, Silvia Moreno-Garcia takes on Wells's classic tale of scientific hubris. At once playful and deadly serious, The Daughter of Doctor Moreau is an irresistible and thoroughly satisfying novel."
"If there are two things I love in this world, it's contemporary reimaginings of Victorian era horror and sci-fi, and joyful genre mashups in literature. Thank the Lord, then, for Silvia Moreno-Garcia, the author of the 1970s Mexico City noir Velvet Was the Night and the postcolonial gothic romance Mexican Gothic, who brings her chameleonic powers to bear on H. G. Wells's 1896 ‘exercise in youthful blasphemy.'"-Lit Hub
"The brilliant and unstoppable Silvia Moreno-Garcia continues to weave her magic in The Daughter of Doctor Moreau, a smart, sinister fable about social inequality and exploitation, isolation and abuse of power. Both lacerating and deeply empathetic, this story satisfies the reader on every page."-Paula McLain, author of The Paris Wife and When the Stars Go Dark
"Silvia Moreno-Garcia goes from strength to strength. The Daughter of Doctor Moreau is my favorite of her novels so far-a gothic tour de force with characters who will keep you glued to the page, and a series of satisfying, surprising riffs on Wells's original story."-Kelly Link, author of Get in Trouble
"Beautiful, feral, and as sharp as a jaguar's claws . . . I felt the anger and hope in this story down to my very bones. Truly, Silvia Moreno-Garcia is a virtuoso of the anti-imperialist gothic novel."-Annalee Newitz, author of Autonomous and Four Lost Cities: A Secret History of the Urban Age
"With intelligence, energy, and unexpected tenderness, Silvia Moreno-Garcia takes on Wells's classic tale of scientific hubris. At once playful and deadly serious, The Daughter of Doctor Moreau is an irresistible and thoroughly satisfying novel."
Readers Top Reviews
elisabeth griggsT
I have never read the island of Dr Moreau but I know the gist of it. This is a great update to that old classic. I didn't want to read this because its not horror. I read it anyway for a contest and fell in live with the book and how its written. I pick apart how things are written and if its a sequel to another, I like to see how close bit resembles the first. This book is well written. Thank you for writing. Maybe I all expand my books to be read list because of this one.
Jbkelisabeth grig
I enjoyed this story of Dr. Moreau’s daughter very much. A compelling blend of sci-fi/fantasy and historical fiction. There’s lots (maybe too much?) of western gunfighting action thrown in too.
Ambre Nulphalexx
My book club chose this one for our spooky season read. I'd heard a lot of good things and the blurb was intriguing, so I was excited to read it. Unfortunately, for me, it didn't live up to the hype. It's not a bad book by any means, but it didn't really stand out either. The writing is good, and the world-building is exceptional. But I was a bit let down, character-wise. I felt that the titular character of Carlota was a bit of a milquetoast, although it was kind of to be expected, given her history. It's not until the very end that you really see her develop. Montgomery feels out of place, and I never really could figure out why he was there. I would have preferred reading more about the hybrids though, as the small glimpses into their characters were fascinating. The ending left me a bit 'meh' and I had a harder time finding inspiration for my review. A solid book, ultimately, but just not for me.
Linda PfafflinLin
Another magical historical Mexican mystery from Silvia Moreno-Garcia! This time it’s the secluded Yucatán Peninsula in the 1870s, a backdrop of warring factions, British colonialism and isolated haciendas in the jungle with a fairly mad scientist, his majordomo, and his daughter finally being visited by curious and imperious outsiders. This is a retelling of H.G. Wells’ 125 year old pioneering science fiction novel, made famous in its time as science was experimenting with the awful practice of “vivisection” and the English were concerned about the degeneration of the human race. Ms. Moreno- Garcia’s book adds a daughter and elements of feminism not in the original (although the themes of class distinctions and castes were there in 1896). The story centers on Carlota, the daughter, and the alcoholic Montgomery, Dr. Moreau’s right hand man. The original novel was more about Edwin, a castaway who discovers the secrets of the Moreau compound, but here we have Edouard, the rich patron’s son, suitor of Carlota, and here an interloper. If you’ve never read the original or seen any of the terrible adaptations, I won’t reveal what Dr. Moreau is doing in the jungle, but it’s safe to say that what happens in the jungle should stay in the jungle. The narrative is atmospheric — the sense of isolation and danger is palpable. Yet, even without the incursion of strangers we know that Carlota is growing up and Dr. Moreau is growing older and that means something must eventually change, but will it be a good outcome for the inhabitants of the hacienda, or a terrible ending? I have loved all of Silvia Moreno-Garcia incredible books — horror and magical mystery and now science fiction, and it’s the surrounding history of the time period that makes all of them exotic and unique. 4.5 stars rounded up! Literary Pet Peeve Checklist: Green Eyes (only 2% of the real world, yet it seems like 90% of all fictional females): YES Eduardo has the green eyes, which draw Carlota’s attention. Horticultural Faux Pas (plants out of season or growing zones, like daffodils in autumn or bougainvillea in Alaska): NO The jungle is lush and the crops grown were typical of 19th century Yucatán.
Rob WLinda Pfaffl
✨ Review ✨ The Daughter of Doctor Moreau by Silvia Moreno-Garcia This story centers Carlota Moreau (the daughter of Doctor Moreau) as she grows up in the middle of Yucatán peninsula. Her father raises a team of hybrids, part human/part animal creations, that seem both friendly and monstrous at times. The book alternates between Carlota's perspective and that of Montgomery, an overseer and assistant to Moreau. The characters are all beholden to the Lizaldes, the owner of the Moreau's home and financier to the doctor's experimentation. And, so when Eduardo Lizalde appears to woo Carlota, all sorts of trouble is launched into motion. I'm such a SMG stan - I live for her writing, slow and beautiful always. This was slow and beautiful, but admittedly not my favorite of her works. The pacing dragged a bit and I wanted more out of either the sci-fi or historical fiction angles. I loved the rich and luxurious setting she creates and the conflict she set up, but it just didn't quite get there for me. I switched to the audio with about a third of the book remaining which helped change things up for me. ⭐️⭐️⭐️💫 Genre: sci-fi + historical fiction Location: 1870s Yucatán Pub Date: Out now! Thanks to Del Rey and #netgalley for an advanced e-copy of this book!
Short Excerpt Teaser
Chapter 1
Carlota
They'd be arriving that day, the two gentlemen, their boat gliding through the forest of mangroves. The jungle teemed with noises, birds crying out in sonorous discontent as if they could foretell the approach of intruders. In their huts, behind the main house, the hybrids were restless. Even the old donkey, eating its corn, seemed peevish.
Carlota had spent a long time contemplating the ceiling of her room the previous night, and in the morning her belly ached like it always did when she was nervous. Ramona had to brew her a cup of bitter orange tea. Carlota didn't like when her nerves got the best of her, but Dr. Moreau seldom had visitors. Their isolation, her father said, did her good. When she was little she'd been ill, and it was important that she rest and remain calm. Besides, the hybrids made proper company impossible. When someone stopped at Yaxaktun it was either Francisco Ritter, her father's lawyer and correspondent, or Hernando Lizalde.
Mr. Lizalde always came alone. Carlota was never introduced to him. Twice she'd seen him walking from afar, outside the house, with her father. He left quickly; he didn't stay the night in one of the guest rooms. And he didn't visit often, anyway. His presence was mostly felt in letters, which arrived every few months.
Now Mr. Lizalde, who was a distant presence, a name spoken but never manifested, was visiting and not only visiting but he'd be bringing with him a new mayordomo. For nearly a year since Melquíades had departed, the reins of Yaxaktun had been solely in the hands of the doctor, an inadequate situation since he spent most of his time busy in the lab or deep in contemplation. Her father, however, didn't seem inclined to find a steward.
"The doctor, he's too picky," Ramona said, brushing the tangles and knots out of Carlota's hair. "Mr. Lizalde, he sends him letters, and he says here's one gentleman, here's another, but your father always replies no, this one won't do, neither will the other. As if many people would come here."
"Why wouldn't people want to come to Yaxaktun?" Carlota asked.
"It's far from the capital. And you know what they say. All of them, they complain it's too close to rebel territory. They think it's the end of the world."
"It's not that far," Carlota said, though she only understood the peninsula by the maps in books where distances were flattened and turned into black-and-white lines.
"It's mighty far. Makes most people think twice when they're used to cobblestones and newspapers each morning."
"Why did you come to work here, then?"
"My family, they picked me a husband but he was bad. Lazy, did nothing all day, then he beat me at night. I didn't complain, not for a long time. Then one morning he hit me hard. Too hard. Or maybe as hard as every other time, but I wouldn't take it any longer. So I grabbed my things and I went away. I came to Yaxaktun because nobody can find you here," Ramona said with a shrug. "But it's not the same for others. Others want to be found."
Ramona was not quite old; the lines fanning her eyes were shallow, and her hair was speckled with a few strands of gray. But she spoke in a measured tone, and she spoke of many things, and Carlota considered her very wise.
"You think the new mayordomo won't like it here? You think he'll want to be found?"
"Who can tell? But Mr. Lizalde's bringing him. It's Mr. Lizalde who's ordered it and he's right. Your father, he does things all day but he never does the things that need done either." Ramona put the brush down. "Stop fretting, child, you'll wrinkle the dress."
The dress in question was decorated with a profusion of frills and pleats, and an enormous bow at the back instead of the neat muslin pinafore she normally wore around the house. Lupe and Cachito were giggling at the doorway, looking at Carlota, as she was primped like a horse before an exhibition.
"You look nice," Ramona said.
"It itches," Carlota complained. She thought she looked like a large cake.
"Don't pull at it. And you two, go wash your faces and those hands," Ramona said, punctuating her words with one of her deadly stares.
Lupe and Cachito moved aside to let Ramona by as she exited the room, grumbling about all the things she had to do that morning. Carlota sulked. Father said the dress was the latest fashion, but she was used to lighter frocks. It might have looked pretty in Mérida or Mexico City or some other place, but in Yaxaktun it was terribly fussy.
Lupe and Cachito giggled again as they walked into the room and took a closer look at her buttons, touching the taffeta and silk until Carlota elbowed them away, and then they giggled aga...
Carlota
They'd be arriving that day, the two gentlemen, their boat gliding through the forest of mangroves. The jungle teemed with noises, birds crying out in sonorous discontent as if they could foretell the approach of intruders. In their huts, behind the main house, the hybrids were restless. Even the old donkey, eating its corn, seemed peevish.
Carlota had spent a long time contemplating the ceiling of her room the previous night, and in the morning her belly ached like it always did when she was nervous. Ramona had to brew her a cup of bitter orange tea. Carlota didn't like when her nerves got the best of her, but Dr. Moreau seldom had visitors. Their isolation, her father said, did her good. When she was little she'd been ill, and it was important that she rest and remain calm. Besides, the hybrids made proper company impossible. When someone stopped at Yaxaktun it was either Francisco Ritter, her father's lawyer and correspondent, or Hernando Lizalde.
Mr. Lizalde always came alone. Carlota was never introduced to him. Twice she'd seen him walking from afar, outside the house, with her father. He left quickly; he didn't stay the night in one of the guest rooms. And he didn't visit often, anyway. His presence was mostly felt in letters, which arrived every few months.
Now Mr. Lizalde, who was a distant presence, a name spoken but never manifested, was visiting and not only visiting but he'd be bringing with him a new mayordomo. For nearly a year since Melquíades had departed, the reins of Yaxaktun had been solely in the hands of the doctor, an inadequate situation since he spent most of his time busy in the lab or deep in contemplation. Her father, however, didn't seem inclined to find a steward.
"The doctor, he's too picky," Ramona said, brushing the tangles and knots out of Carlota's hair. "Mr. Lizalde, he sends him letters, and he says here's one gentleman, here's another, but your father always replies no, this one won't do, neither will the other. As if many people would come here."
"Why wouldn't people want to come to Yaxaktun?" Carlota asked.
"It's far from the capital. And you know what they say. All of them, they complain it's too close to rebel territory. They think it's the end of the world."
"It's not that far," Carlota said, though she only understood the peninsula by the maps in books where distances were flattened and turned into black-and-white lines.
"It's mighty far. Makes most people think twice when they're used to cobblestones and newspapers each morning."
"Why did you come to work here, then?"
"My family, they picked me a husband but he was bad. Lazy, did nothing all day, then he beat me at night. I didn't complain, not for a long time. Then one morning he hit me hard. Too hard. Or maybe as hard as every other time, but I wouldn't take it any longer. So I grabbed my things and I went away. I came to Yaxaktun because nobody can find you here," Ramona said with a shrug. "But it's not the same for others. Others want to be found."
Ramona was not quite old; the lines fanning her eyes were shallow, and her hair was speckled with a few strands of gray. But she spoke in a measured tone, and she spoke of many things, and Carlota considered her very wise.
"You think the new mayordomo won't like it here? You think he'll want to be found?"
"Who can tell? But Mr. Lizalde's bringing him. It's Mr. Lizalde who's ordered it and he's right. Your father, he does things all day but he never does the things that need done either." Ramona put the brush down. "Stop fretting, child, you'll wrinkle the dress."
The dress in question was decorated with a profusion of frills and pleats, and an enormous bow at the back instead of the neat muslin pinafore she normally wore around the house. Lupe and Cachito were giggling at the doorway, looking at Carlota, as she was primped like a horse before an exhibition.
"You look nice," Ramona said.
"It itches," Carlota complained. She thought she looked like a large cake.
"Don't pull at it. And you two, go wash your faces and those hands," Ramona said, punctuating her words with one of her deadly stares.
Lupe and Cachito moved aside to let Ramona by as she exited the room, grumbling about all the things she had to do that morning. Carlota sulked. Father said the dress was the latest fashion, but she was used to lighter frocks. It might have looked pretty in Mérida or Mexico City or some other place, but in Yaxaktun it was terribly fussy.
Lupe and Cachito giggled again as they walked into the room and took a closer look at her buttons, touching the taffeta and silk until Carlota elbowed them away, and then they giggled aga...