The Underground Railroad: A Novel - book cover
  • Publisher : Knopf Doubleday Publishing Group; Reprint edition
  • Published : 30 Jan 2016
  • Pages : 336
  • ISBN-10 : 0345804325
  • ISBN-13 : 9780345804327
  • Language : English

The Underground Railroad: A Novel

Winner of the Pulitzer Prize and the National Book Award, this #1 New York Times bestseller chronicles a young slave's adventures as she makes a desperate bid for freedom in the antebellum South. The basis for the acclaimed original Amazon Prime Video series directed by Barry Jenkins.

Cora is a slave on a cotton plantation in Georgia. An outcast even among her fellow Africans, she is on the cusp of womanhood-where greater pain awaits. And so when Caesar, a slave who has recently arrived from Virginia, urges her to join him on the Underground Railroad, she seizes the opportunity and escapes with him.

In Colson Whitehead's ingenious conception, the Underground Railroad is no mere metaphor: engineers and conductors operate a secret network of actual tracks and tunnels beneath the Southern soil. Cora embarks on a harrowing flight from one state to the next, encountering, like Gulliver, strange yet familiar iterations of her own world at each stop.

As Whitehead brilliantly re-creates the terrors of the antebellum era, he weaves in the saga of our nation, from the brutal abduction of Africans to the unfulfilled promises of the present day. The Underground Railroad is both the gripping tale of one woman's will to escape the horrors of bondage-and a powerful meditation on the history we all share.

Look for Colson Whitehead's bestselling new novel, Harlem Shuffle!

Editorial Reviews

Chapter 1

The first time Caesar approached Cora about running north, she said no.

This was her grandmother talking. Cora's grandmother had never seen the ocean before that bright afternoon in the port of Ouidah and the water dazzled after her time in the fort's dungeon. The dungeon stored them until the ships arrived. Dahomeyan raiders kidnapped the men first, then returned to her village the next moon for the women and children, marching them in chains to the sea two by two. As she stared into the black doorway, Ajarry thought she'd be reunited with her father, down there in the dark. The survivors from her village told her that when her father couldn't keep the pace of the long march, the slavers stove in his head and left his body by the trail. Her mother had died years before.

Cora's grandmother was sold a few times on the trek to the fort, passed between slavers for cowrie shells and glass beads. It was hard to say how much they paid for her in Ouidah as she was part of a bulk purchase, eighty-­eight human souls for sixty crates of rum and gunpowder, the price arrived upon after the standard haggling in Coast English. Able-­bodied men and childbearing women fetched more than juveniles, making an individual accounting difficult.

The Nanny was out of Liverpool and had made two previous stops along the Gold Coast. The captain staggered his purchases, rather than find himself with cargo of singular culture and disposition. Who knew what brand of mutiny his captives might cook up if they shared a common tongue. This was the ship's final port of call before they crossed the Atlantic. Two yellow-­haired sailors rowed Ajarry out to the ship, humming. White skin like bone.

The noxious air of the hold, the gloom of confinement, and the screams of those shackled to her contrived to drive Ajarry to madness. Because of her tender age, her captors did not immediately force their urges upon her, but eventually some of the more seasoned mates dragged her from the hold six weeks into the passage. She twice tried to kill herself on the voyage to America, once by denying herself food and then again by drowning. The sailors stymied her both times, versed in the schemes and inclinations of chattel. Ajarry didn't even make it to the gunwale when she tried to jump overboard. Her simpering posture and piteous aspect, recognizable from thousands of slaves before her, betrayed her intentions. Chained head to toe, head to toe, in exponential misery.

Although they had tried not to get separated at the auction in Ouidah, the rest of her family was purchased by Portuguese traders from the frigate Vivilia, next seen four months later drifting ten miles off Bermuda. Plague had claimed all on board. Authorities lit the ship on fire and watched her crackle and sink. Cora's g...

Readers Top Reviews

Janie UAlan and J
I've had lots of recommendations to read this book and it has had huge amounts of media attention so I come to it with big expectations. 366 pages, split into 12 chapters, the titles of which show the progression to The North. Disappointingly, I found this book to be really hard going. There is no doubt that it is a worthy subject and it is well written but I found it very difficult to connect with anything at all in the novel. It almost feels shameful to not want to read about the terrors of slavery but it seemed that the author was writing for literary praise without concentrating on engaging with the average reader. The parallel world was a bit odd and gave the novel a disjointed impression which did not flow well at all. I'm sure there was something deep going on but it passed me by and I won;t recommend this book to anyone else. This period in American history is unfamiliar to me and I needed more context to be able to place the characters. Here we are thrown into a situation and expected to work everything out which lessened the powerful effect of the story.
CJCJanie UAlan an
This is a breath-taking read; it's destined I am sure, to be a classic. The writing is lyrical and poetic and crafted with care and a real sense of artistry. The story is utterly compelling and takes a real grip early on and never lets it's tightness ease. The characters are crafted with care and loving attention and their stories draw massive emotional responses. It's hard to fathom the evil and totality of the Slavery Experience, it's savagery and ruthlessness and the way it pock marked itself so deeply into the culture of The South-and beyond. It's impact reasonates today causing a torrent of complex problems & challenges for modern day America. This is a bleak read but it also inspires as the central characters try to retain their dignity and Hope in a period of unrelenting primeval savagery. The pace of the book is fierce and you root for the Slaves. There are one or two moments of exhilaration amidst the despair and murderous culture. Parts of the book ride a rocky road in trying to stretch the debate between the protagonists and for me the weakest section is in the interchange between the Slave Catcher ,Ridgeway, and Cara. That part just doesn't work. But it's a rare moment in an otherwise superlative read. This is a simply magnificent book which is beautifully written, imaginatively constructed and powerfully realised. Highly recommended and one of my Books of the Decade.
Norman HousleyCJC
Books as good as this one come along rarely, in my experience just once a year or so. It radiates intelligence and has some marvellous characterisations, above all Cora and Ridgeway: pursued and pursuer are equally well depicted. The writing is superb, with some piercingly beautiful turns of phrase. I admired the structure, and including short chapters on individuals enabled Whitehead to introduce a dazzling revelation towards the end about Mabel. The narrative of Cora's escape across five states becomes a sombre and nuanced exploration of the toxic effect of slavery, especially plantation slavery, on the whole of American society, with figures like Martin and Homer serving to illustrate the diversity of human responses to the enveloping nightmare. I had a mixed reaction to the magic realism of the railroad and to a lesser extent the South Carolina sequence. It was daring on Whitehead's part, because he ran the risk of destroying his book's credibility. I can understand why some readers abandoned the novel at that point. But on balance I thought it worked, adding an invigorating extra dimension. The only flaw was the rather muted ending, which lacked the self confidence and panache of the rest of the novel.
Richard E. Nelson
Yes, it's historical fiction but once he veered off into actual underground railroads, skyscrapers, etc., I completely lost interest in the story. "Alternative facts" do not add a positive commentary to the tragedy of the Civil War and slavery and, if anything, confuses the uneducated reader who wants to learn more about the subject.
Camp RunamokRicha
The Underground Railroad (see the NY Times review) has been the talk of the town for the past year. The basic premise of this novel is that the underground railroad was just that - a real physical underground railroad. This gives the book a bit of dystopian feel, although this is an antebellum tale, with time appropriate technology. The novel has each of the various southern states plotting different paths with regard to slavery and race, and it even folds in aspects of things to come, like the Tuskegee experiment and a bit of Jim Crow, which just adds to the dystopian feel. There is even a little bit of Anne Frank and Les Miserables. It's a very cleverly conceived and written endeavor. But in the end, the saga is about slavery in all it's brutal forms, so be warned that the sharp edges are both numerous and very sharp in this story. This is a book about extreme brutality and survival, not about heroes and redemption, although there is a some of each along the way.

Short Excerpt Teaser

Chapter 1

The first time Caesar approached Cora about running north, she said no.

This was her grandmother talking. Cora's grandmother had never seen the ocean before that bright afternoon in the port of Ouidah and the water dazzled after her time in the fort's dungeon. The dungeon stored them until the ships arrived. Dahomeyan raiders kidnapped the men first, then returned to her village the next moon for the women and children, marching them in chains to the sea two by two. As she stared into the black doorway, Ajarry thought she'd be reunited with her father, down there in the dark. The survivors from her village told her that when her father couldn't keep the pace of the long march, the slavers stove in his head and left his body by the trail. Her mother had died years before.

Cora's grandmother was sold a few times on the trek to the fort, passed between slavers for cowrie shells and glass beads. It was hard to say how much they paid for her in Ouidah as she was part of a bulk purchase, eighty-­eight human souls for sixty crates of rum and gunpowder, the price arrived upon after the standard haggling in Coast English. Able-­bodied men and childbearing women fetched more than juveniles, making an individual accounting difficult.

The Nanny was out of Liverpool and had made two previous stops along the Gold Coast. The captain staggered his purchases, rather than find himself with cargo of singular culture and disposition. Who knew what brand of mutiny his captives might cook up if they shared a common tongue. This was the ship's final port of call before they crossed the Atlantic. Two yellow-­haired sailors rowed Ajarry out to the ship, humming. White skin like bone.

The noxious air of the hold, the gloom of confinement, and the screams of those shackled to her contrived to drive Ajarry to madness. Because of her tender age, her captors did not immediately force their urges upon her, but eventually some of the more seasoned mates dragged her from the hold six weeks into the passage. She twice tried to kill herself on the voyage to America, once by denying herself food and then again by drowning. The sailors stymied her both times, versed in the schemes and inclinations of chattel. Ajarry didn't even make it to the gunwale when she tried to jump overboard. Her simpering posture and piteous aspect, recognizable from thousands of slaves before her, betrayed her intentions. Chained head to toe, head to toe, in exponential misery.

Although they had tried not to get separated at the auction in Ouidah, the rest of her family was purchased by Portuguese traders from the frigate Vivilia, next seen four months later drifting ten miles off Bermuda. Plague had claimed all on board. Authorities lit the ship on fire and watched her crackle and sink. Cora's grandmother knew nothing about the ship's fate. For the rest of her life she imagined her cousins worked for kind and generous masters up north, engaged in more forgiving trades than her own, weaving or spinning, nothing in the fields. In her stories, Isay and Sidoo and the rest somehow bought their way out of bondage and lived as free men and women in the City of Pennsylvania, a place she had overheard two white men discuss once. These fantasies gave Ajarry comfort when her burdens were such to splinter her into a thousand pieces.

The next time Cora's grandmother was sold was after a month in the pest house on Sullivan's Island, once the physicians certified her and the rest of the Nanny's cargo clear of illness. Another busy day on the Exchange. A big auction always drew a colorful crowd. Traders and procurers from up and down the coast converged on Charleston, checking the merchandise's eyes and joints and spines, wary of venereal distemper and other afflictions. Onlookers chewed fresh oysters and hot corn as the auctioneers shouted into the air. The slaves stood naked on the platform. There was a bidding war over a group of Ashanti studs, those Africans of renowned industry and musculature, and the foreman of a limestone quarry bought a bunch of pickaninnies in an astounding bargain. Cora's grandmother saw a little boy among the gawkers eating rock candy and wondered what he was putting in his mouth.

Just before sunset an agent bought her for two hundred and twenty-­six dollars. She would have fetched more but for that season's glut of young girls. His suit was made of the whitest cloth she had ever seen. Rings set with colored stone flashed on his fingers. When he pinched her breasts to see if she was in flower, the metal was cool on her skin. She was branded, not for the first or last time, and fettered to the rest of the day's acquisitions. The coffle began their long march south that night, staggering behind the trader's buggy. The Nanny by that...