Short Stories & Anthologies
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White Cat, Black Dog: Stories
"The Brothers Grimm meet Black Mirror meets Alice in Wonderland . . . In seven remixed fairy tales, Link delivers wit and dreamlike intrigue."-Time
"Thought-provoking and wonderfully told . . . so seamlessly entwines the real with the surreal that the stories threaten to slip into reality, resonating long after reading."-BuzzFeed
A new collection from one of today's finest short story writers, MacArthur "Genius Grant" fellow Kelly Link, bestselling author of the Pulitzer Prize finalist Get in Trouble-featuring illustrations by award-winning artist Shaun Tan
Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers-characters on the hunt for love, connection, revenge, or their own sense of purpose.
In "The White Cat's Divorce," an aging billionaire sends his three sons on a series of absurd goose chases to decide which child will become his heir. In "The Girl Who Did Not Know Fear," a professor with a delicate health condition becomes stranded for days in an airport hotel after a conference, desperate to get home to her wife and young daughter, and in acute danger of being late for an appointment that cannot be missed. In "Skinder's Veil," a young man agrees to take over a remote house-sitting gig for a friend. But what should be a chance to focus on his long-avoided dissertation instead becomes a wildly unexpected journey, as the house seems to be a portal for otherworldly travelers-or perhaps a door into his own mysterious psyche.
Twisting and turning in astonishing ways, expertly blending realism and the speculative, witty, empathetic, and never predictable-these stories remind us once again of why Kelly Link is incomparable in the realm of short fiction.
"Thought-provoking and wonderfully told . . . so seamlessly entwines the real with the surreal that the stories threaten to slip into reality, resonating long after reading."-BuzzFeed
A new collection from one of today's finest short story writers, MacArthur "Genius Grant" fellow Kelly Link, bestselling author of the Pulitzer Prize finalist Get in Trouble-featuring illustrations by award-winning artist Shaun Tan
Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers-characters on the hunt for love, connection, revenge, or their own sense of purpose.
In "The White Cat's Divorce," an aging billionaire sends his three sons on a series of absurd goose chases to decide which child will become his heir. In "The Girl Who Did Not Know Fear," a professor with a delicate health condition becomes stranded for days in an airport hotel after a conference, desperate to get home to her wife and young daughter, and in acute danger of being late for an appointment that cannot be missed. In "Skinder's Veil," a young man agrees to take over a remote house-sitting gig for a friend. But what should be a chance to focus on his long-avoided dissertation instead becomes a wildly unexpected journey, as the house seems to be a portal for otherworldly travelers-or perhaps a door into his own mysterious psyche.
Twisting and turning in astonishing ways, expertly blending realism and the speculative, witty, empathetic, and never predictable-these stories remind us once again of why Kelly Link is incomparable in the realm of short fiction.
Editorial Reviews
"Kelly Link is something of a short story sorceress."-The Washington Post
"The Brothers Grimm meet Black Mirror meets Alice in Wonderland . . . In seven remixed fairy tales, Link delivers wit and dreamlike intrigue."-Time
"As intense, absorbing and weird as the best dreams."-The Guardian
"[Link's] latest collection so seamlessly entwines the real with the surreal that the stories threaten to slip into reality, resonating long after reading."-Buzzfeed
"Kelly Link is the master of the modern fairy tale."-Today
"Fans of Station Eleven, speculative fiction or simply anyone who needs a brief escape from the hard, cold world will find the prose here magically transporting."-Salon
"Link is a genius. . . . [This book is] pure modern folklore-eccentric, taut and tapped into the collective subconscious."-Los Angeles Times
"The maestro fantasist of short fiction brings us more mystical stories-of animals, human and not, and the unattainable desires that make up all our lives."-Bustle
"Kelly Link's stories are spooky and funny, grounded, and floating, and, as always, completely her own. There is no mistaking a story by Kelly Link. This book is sublime."-Emma Straub, author of This Time Tomorrow
"These are big stories, tales you dive into, live inside, and come out the other end changed."-Victor LaValle, author of Lone Women
"Kelly Link's stories are generous with their intellect, wit, humanity, and the hope and dread of what was, of what might be, of what is."-Paul Tremblay, author of The Pallbearers Club
"What a glorious and bewitching gift this book is."-Clare Beams, author of The Illness Lesson<...
"The Brothers Grimm meet Black Mirror meets Alice in Wonderland . . . In seven remixed fairy tales, Link delivers wit and dreamlike intrigue."-Time
"As intense, absorbing and weird as the best dreams."-The Guardian
"[Link's] latest collection so seamlessly entwines the real with the surreal that the stories threaten to slip into reality, resonating long after reading."-Buzzfeed
"Kelly Link is the master of the modern fairy tale."-Today
"Fans of Station Eleven, speculative fiction or simply anyone who needs a brief escape from the hard, cold world will find the prose here magically transporting."-Salon
"Link is a genius. . . . [This book is] pure modern folklore-eccentric, taut and tapped into the collective subconscious."-Los Angeles Times
"The maestro fantasist of short fiction brings us more mystical stories-of animals, human and not, and the unattainable desires that make up all our lives."-Bustle
"Kelly Link's stories are spooky and funny, grounded, and floating, and, as always, completely her own. There is no mistaking a story by Kelly Link. This book is sublime."-Emma Straub, author of This Time Tomorrow
"These are big stories, tales you dive into, live inside, and come out the other end changed."-Victor LaValle, author of Lone Women
"Kelly Link's stories are generous with their intellect, wit, humanity, and the hope and dread of what was, of what might be, of what is."-Paul Tremblay, author of The Pallbearers Club
"What a glorious and bewitching gift this book is."-Clare Beams, author of The Illness Lesson<...
Short Excerpt Teaser
The White Cat's Divorce
(The White Cat)
All stories about divorce must begin some other place, and so let us begin with a man so very rich, he might reach out and have almost any thing he desired, as well as many things that he did not. He had so many houses even his accountants could not keep track of them all. He had private planes and newspapers and politicians who saw to it that his wishes became laws. He had orchards, islands, baseball teams, and even a team of entomologists whose mandate was to find new species of beetles to be given variations on the rich man's name. (For if it was true that God loved beetles, was it not true He loved the rich man even more? Was his good fortune not the proof of this?)
The rich man had all of this and more than I have space to write. Anything you have ever possessed, know that he had this, too. And if he did not, he could have paid you whatever your price was in order to obtain it.
All men desire to be rich; no man desires to grow old. To stave off old age, the rich man paid for personal trainers and knee replacements and cosmetic procedures that meant he always had a somewhat wide-eyed look, as if he were not a man in his seventies at all but rather still an infant who found his life a cascade of marvelous and surprising events. The rich man had follicular unit transplantation and special creams to bleach age spots. For dinner, his personal chefs served him fish and berries and walnuts as if he were a bear and not a rich man at all. Every morning, he swam two miles in a lake that was kept by an ingenious mechanism at a comfortable temperature for him throughout the year. In the afternoons, he had blood transfusions from adolescent donors, these transfusions being a condition of the scholarships to various universities that the rich man funded. In the evenings, he threw lavish parties, surrounding himself with people who were young and beautiful. As he grew older, his wives grew younger, and in this way, for a time, the rich man was able to persuade himself that he, too, was still young and might remain so forever.
But although a man may acquire younger and ever more beautiful wives who will maintain the pretense that he, too, is still untouched by age, this rich man had, a long time ago, been married to a first wife, and this first wife had had three sons. The three sons, having been raised with every advantage by caregivers and tutors and therapists and life coaches paid to adhere to the best principles of child-rearing, were attractive, personable, and in every way the kind of children that a father could have regarded with satisfaction. And yet the rich man did not regard them with satisfaction. Instead, when he looked at his three sons, the youngest of whom was now nineteen, he saw only the proof of his own mortality. It is difficult to remain young when one's children selfishly insist upon growing older.
To make matters worse, his sons were all in residence at the house where the rich man was spending the winter. The eldest was in the middle of an acrimonious divorce (his first) and the second was hiding out from the media, while the third had no good reason at all, except that he truly loved his father and wished for his approval. (Also, he had flunked out of university.) Everywhere the rich man turned, a son was underfoot.
At night, he began to be visited by a certain dream. In this dream, the rich man was troubled first by the notion that he had a fourth child. And in the dream, no sooner had he had this notion than he became aware that this fourth child, too, was a guest in the house, and although in the morning the rich man found he could never remember what this child looked like-Was it small or tall? Was it long and slender or so enormous it blotted out its surroundings? What was the sound of its voice?-he knew this last child was Death. In the dream, the rich man offered his child Death all he had in return for more life, but nothing the rich man had to offer was of interest to Death. The only thing Death desired was the company of its father.
Sometimes the rich man had this dream three or four times in one night. By day, he began to detest the sight of his sons.
At last, in perplexity, the rich man turned to consultants to assist him with the problem of his sons, and by the end of the week, a most elegant plan had been put in place. The rich man, in accordance, summoned his three sons to his side. Once he had embraced them lovingly and they had discussed the news of the day and the foundations and boards of which his sons were nominally the heads, he said, "My sons: although it is true that I am in my prime, and although I know it pains you to contemplate, a day must come whe...
(The White Cat)
All stories about divorce must begin some other place, and so let us begin with a man so very rich, he might reach out and have almost any thing he desired, as well as many things that he did not. He had so many houses even his accountants could not keep track of them all. He had private planes and newspapers and politicians who saw to it that his wishes became laws. He had orchards, islands, baseball teams, and even a team of entomologists whose mandate was to find new species of beetles to be given variations on the rich man's name. (For if it was true that God loved beetles, was it not true He loved the rich man even more? Was his good fortune not the proof of this?)
The rich man had all of this and more than I have space to write. Anything you have ever possessed, know that he had this, too. And if he did not, he could have paid you whatever your price was in order to obtain it.
All men desire to be rich; no man desires to grow old. To stave off old age, the rich man paid for personal trainers and knee replacements and cosmetic procedures that meant he always had a somewhat wide-eyed look, as if he were not a man in his seventies at all but rather still an infant who found his life a cascade of marvelous and surprising events. The rich man had follicular unit transplantation and special creams to bleach age spots. For dinner, his personal chefs served him fish and berries and walnuts as if he were a bear and not a rich man at all. Every morning, he swam two miles in a lake that was kept by an ingenious mechanism at a comfortable temperature for him throughout the year. In the afternoons, he had blood transfusions from adolescent donors, these transfusions being a condition of the scholarships to various universities that the rich man funded. In the evenings, he threw lavish parties, surrounding himself with people who were young and beautiful. As he grew older, his wives grew younger, and in this way, for a time, the rich man was able to persuade himself that he, too, was still young and might remain so forever.
But although a man may acquire younger and ever more beautiful wives who will maintain the pretense that he, too, is still untouched by age, this rich man had, a long time ago, been married to a first wife, and this first wife had had three sons. The three sons, having been raised with every advantage by caregivers and tutors and therapists and life coaches paid to adhere to the best principles of child-rearing, were attractive, personable, and in every way the kind of children that a father could have regarded with satisfaction. And yet the rich man did not regard them with satisfaction. Instead, when he looked at his three sons, the youngest of whom was now nineteen, he saw only the proof of his own mortality. It is difficult to remain young when one's children selfishly insist upon growing older.
To make matters worse, his sons were all in residence at the house where the rich man was spending the winter. The eldest was in the middle of an acrimonious divorce (his first) and the second was hiding out from the media, while the third had no good reason at all, except that he truly loved his father and wished for his approval. (Also, he had flunked out of university.) Everywhere the rich man turned, a son was underfoot.
At night, he began to be visited by a certain dream. In this dream, the rich man was troubled first by the notion that he had a fourth child. And in the dream, no sooner had he had this notion than he became aware that this fourth child, too, was a guest in the house, and although in the morning the rich man found he could never remember what this child looked like-Was it small or tall? Was it long and slender or so enormous it blotted out its surroundings? What was the sound of its voice?-he knew this last child was Death. In the dream, the rich man offered his child Death all he had in return for more life, but nothing the rich man had to offer was of interest to Death. The only thing Death desired was the company of its father.
Sometimes the rich man had this dream three or four times in one night. By day, he began to detest the sight of his sons.
At last, in perplexity, the rich man turned to consultants to assist him with the problem of his sons, and by the end of the week, a most elegant plan had been put in place. The rich man, in accordance, summoned his three sons to his side. Once he had embraced them lovingly and they had discussed the news of the day and the foundations and boards of which his sons were nominally the heads, he said, "My sons: although it is true that I am in my prime, and although I know it pains you to contemplate, a day must come whe...
