Thrillers & Suspense
![Samantha Downing - [object Object] author](https://res.cloudinary.com/readsomnia/image/upload/authors/a_B07F6TBQGR.jpg)
A Twisted Love Story
From the bestselling author of My Lovely Wife comes a reckless, delicious thriller that gives a whole new meaning to the dangers of modern dating.
Wes and Ivy are madly in love. They've never felt anything like it. It's the type of romance people write stories about.
But what kind of story?
When it's good, it's great. Flowers. Grand gestures. Deep meaningful conversations where the whole world disappears.
When it's bad, it's really bad. Vengeful fights. Damaged property. Arrest warrants.
But their vicious cycle of catastrophic breakups and head-over-heels reconciliations needs to end fast. Because suddenly, Wes and Ivy have a common enemy--and she's a detective.
There's something Wes and Ivy never talk about--in good times or bad. The night of their worst breakup, when one of them took things too far, and someone ended up dead.
If they can stick together, they can survive anything--even the tightening net of a police investigation.
Because one more breakup might just be their last…
Wes and Ivy are madly in love. They've never felt anything like it. It's the type of romance people write stories about.
But what kind of story?
When it's good, it's great. Flowers. Grand gestures. Deep meaningful conversations where the whole world disappears.
When it's bad, it's really bad. Vengeful fights. Damaged property. Arrest warrants.
But their vicious cycle of catastrophic breakups and head-over-heels reconciliations needs to end fast. Because suddenly, Wes and Ivy have a common enemy--and she's a detective.
There's something Wes and Ivy never talk about--in good times or bad. The night of their worst breakup, when one of them took things too far, and someone ended up dead.
If they can stick together, they can survive anything--even the tightening net of a police investigation.
Because one more breakup might just be their last…
Editorial Reviews
Praise for A Twisted Love Story
"A deliciously clever thriller. I love Samantha Downing's books...If you haven't experienced the pleasure of reading her work, don't wait."
-Sylvia Day, #1 New York Times bestselling author
"Toxic relationships, dark deeds, and a cast of unreliable narrators. All the best ingredients for a deliciously disturbing read. Twisted indeed."
-Alice Feeney, New York Times bestselling author of Daisy Darker
"Samantha Downing's writing is pure, twisted magic…will take you from the height of sexy, crashing-into-walls obsession to utter disbelief, loving every second."
-Christina Lauren, New York Times bestselling author
"Subtle, compelling, and clever. A Twisted Love Story will take you on a tense and emotional thrill ride that doesn't let up until the final page. Downing has crafted a complex, masterfully written tale that will have you rooting for the dysfunctional couple while simultaneously not trusting either of them."
-Jeneva Rose, New York Times bestselling author of You Shouldn't Have Come Here
"This story about a toxic relationship spiralling out of control is dazzlingly, deliciously dark-and enormous fun."
-JP Delaney, New York Times bestselling author of The Girl Before
"Wicked and wild, seductive and sinister. A Twisted Love Story is beach read fun, up all night gripping, disturbingly dark and satisfyingly clever."
-Chris Whitaker, New York Times bestselling author of We Begin at the End
"I love Samantha Downing's thrillers and this one is an absolute gem. Deliciously addictive, constantly surprising and, as the title would suggest, thoroughly twisted. You'll devour it."
-B. P. Walter, bestselling author of The Dinner Guest
"Samantha Downing is one of those rare w...
"A deliciously clever thriller. I love Samantha Downing's books...If you haven't experienced the pleasure of reading her work, don't wait."
-Sylvia Day, #1 New York Times bestselling author
"Toxic relationships, dark deeds, and a cast of unreliable narrators. All the best ingredients for a deliciously disturbing read. Twisted indeed."
-Alice Feeney, New York Times bestselling author of Daisy Darker
"Samantha Downing's writing is pure, twisted magic…will take you from the height of sexy, crashing-into-walls obsession to utter disbelief, loving every second."
-Christina Lauren, New York Times bestselling author
"Subtle, compelling, and clever. A Twisted Love Story will take you on a tense and emotional thrill ride that doesn't let up until the final page. Downing has crafted a complex, masterfully written tale that will have you rooting for the dysfunctional couple while simultaneously not trusting either of them."
-Jeneva Rose, New York Times bestselling author of You Shouldn't Have Come Here
"This story about a toxic relationship spiralling out of control is dazzlingly, deliciously dark-and enormous fun."
-JP Delaney, New York Times bestselling author of The Girl Before
"Wicked and wild, seductive and sinister. A Twisted Love Story is beach read fun, up all night gripping, disturbingly dark and satisfyingly clever."
-Chris Whitaker, New York Times bestselling author of We Begin at the End
"I love Samantha Downing's thrillers and this one is an absolute gem. Deliciously addictive, constantly surprising and, as the title would suggest, thoroughly twisted. You'll devour it."
-B. P. Walter, bestselling author of The Dinner Guest
"Samantha Downing is one of those rare w...
Short Excerpt Teaser
1
Wes can't get the song out of his head. It plays on a loop, over and over, until he finds himself humming it out loud. So addictive, and he doesn't have a clue who sings it.
The music doesn't stop until an alert pops up on his phone. His famous-quotes app sends daily words of wisdom.
Love is a serious mental disease.
-Plato
Wes swipes it away. Love is the last thing on his mind, especially today. The only thing that matters is time.
His calendar is a wall of meetings, back-to-back-to-back, without a single break. Wes has to leave the office by five thirty, drive home, shower, shave, dress, and get back out of the house by six forty-five. Assuming he wants to be on time for his date. Which he does.
They met at a bar called Liver. Her name is Annabeth, and she had been very specific about that.
"Not Anna, and not Beth," she had said. "I don't answer to either of those. It's Annabeth." He said, "I got it," and she said, "Are you sure? Because you wouldn't believe how many people forget." And right then, he almost blew it, because he wanted to say, "Jesus Christ, what kind of idiots do you date?" But he stopped himself. Wes told her, "I promise. I got it." Finally, they were able to move on.
The conversation improved after that. Her name had been the only problem. Otherwise, she was smart and interesting and fun to be with. Pretty, too. Not stunning, not the girl every guy wanted, and that was a good thing. Gorgeous girls are always-always-high-maintenance, and who the hell has that kind of time.
Annabeth is pretty in the wholesome way, the kind of girl who can dress up and be sexy if she wants but doesn't do it all the time. Dark hair, big eyes, and real curves. Not the implanted or injected kind. Good voice, too. A little husky, not too nasal or annoying.
In other words, he doesn't want to be late for Annabeth. And it has nothing to do with love.
But work has other ideas.
His three o'clock meeting runs over by fifteen minutes, making him late for the three thirty call. That pushes back his four thirty, which means he is screwed. Almost. An imaginary "call from a client" comes in handy, because no one gets mad when you have to leave a meeting to talk with someone who pays the bills.
On the way back to his office, Wes stops in the break room to get an energy bar from the vending machine and check the time. Twenty minutes to go. Enough time to send a few emails and stay on schedule.
Bianca waves to him when he gets to his office. Wes holds up his phone and points at it, indicating that he is busy. Still pretending to be on the line with his pretend client.
In truth, if he had explained to her that he really wanted to be on time because he has a date, Bianca probably would have cleared his schedule for him. But it wouldn't be professional to involve her in his life like that. She isn't his personal assistant.
These days, not everyone has their own admin. The sales department has one who works for everybody, and that's Bianca. She is ridiculously young, he can tell, though he has never asked her age. That would be inappropriate.
Once he is back in his office with the door shut, he sits at his desk and puts down the phone. His fingers fly over the keyboard as he bangs out the last few emails of the day, and so far, so good. A few more minutes and he'll be gone.
The knock on his door is unexpected.
Bianca. He waves her in. She keeps her head down, almost like she is embarrassed to interrupt him.
"Mr. Harmon," she says.
That gets his attention. She never calls him Mr. anything unless a client is around.
A woman steps into his office. Wes races through his mind, trying to figure out if she is someone he knows but can't remember or someone he should know but hasn't met yet.
"This is Detective Karen Colglazier. She's been waiting to talk to you," Bianca says. She leaves and closes the door behind her.
Detective. Wes has to repeat that in his head a few times.
She is about forty-five years old, give or take, with olive skin and short, choppy hair. Dark eyes, sort of brown, sort of grey. He doesn't like them. Those eyes are full of shadows. They move around the room, taking in everything at once, before landing on him.
He gestures to the chairs in front of his desk. It's a test-he gives it to everyone, to see which one they'll pick. The one on the right is directly across from his own; anyone confident will choose it. The one on the left is off-center, seating his guest at an angle, forcing them to keep their head turned to maintain eye contact.
The detective picks the one on the right. She is quick to reassure him that nothing horrible has happened, that no one has be...
Wes can't get the song out of his head. It plays on a loop, over and over, until he finds himself humming it out loud. So addictive, and he doesn't have a clue who sings it.
The music doesn't stop until an alert pops up on his phone. His famous-quotes app sends daily words of wisdom.
Love is a serious mental disease.
-Plato
Wes swipes it away. Love is the last thing on his mind, especially today. The only thing that matters is time.
His calendar is a wall of meetings, back-to-back-to-back, without a single break. Wes has to leave the office by five thirty, drive home, shower, shave, dress, and get back out of the house by six forty-five. Assuming he wants to be on time for his date. Which he does.
They met at a bar called Liver. Her name is Annabeth, and she had been very specific about that.
"Not Anna, and not Beth," she had said. "I don't answer to either of those. It's Annabeth." He said, "I got it," and she said, "Are you sure? Because you wouldn't believe how many people forget." And right then, he almost blew it, because he wanted to say, "Jesus Christ, what kind of idiots do you date?" But he stopped himself. Wes told her, "I promise. I got it." Finally, they were able to move on.
The conversation improved after that. Her name had been the only problem. Otherwise, she was smart and interesting and fun to be with. Pretty, too. Not stunning, not the girl every guy wanted, and that was a good thing. Gorgeous girls are always-always-high-maintenance, and who the hell has that kind of time.
Annabeth is pretty in the wholesome way, the kind of girl who can dress up and be sexy if she wants but doesn't do it all the time. Dark hair, big eyes, and real curves. Not the implanted or injected kind. Good voice, too. A little husky, not too nasal or annoying.
In other words, he doesn't want to be late for Annabeth. And it has nothing to do with love.
But work has other ideas.
His three o'clock meeting runs over by fifteen minutes, making him late for the three thirty call. That pushes back his four thirty, which means he is screwed. Almost. An imaginary "call from a client" comes in handy, because no one gets mad when you have to leave a meeting to talk with someone who pays the bills.
On the way back to his office, Wes stops in the break room to get an energy bar from the vending machine and check the time. Twenty minutes to go. Enough time to send a few emails and stay on schedule.
Bianca waves to him when he gets to his office. Wes holds up his phone and points at it, indicating that he is busy. Still pretending to be on the line with his pretend client.
In truth, if he had explained to her that he really wanted to be on time because he has a date, Bianca probably would have cleared his schedule for him. But it wouldn't be professional to involve her in his life like that. She isn't his personal assistant.
These days, not everyone has their own admin. The sales department has one who works for everybody, and that's Bianca. She is ridiculously young, he can tell, though he has never asked her age. That would be inappropriate.
Once he is back in his office with the door shut, he sits at his desk and puts down the phone. His fingers fly over the keyboard as he bangs out the last few emails of the day, and so far, so good. A few more minutes and he'll be gone.
The knock on his door is unexpected.
Bianca. He waves her in. She keeps her head down, almost like she is embarrassed to interrupt him.
"Mr. Harmon," she says.
That gets his attention. She never calls him Mr. anything unless a client is around.
A woman steps into his office. Wes races through his mind, trying to figure out if she is someone he knows but can't remember or someone he should know but hasn't met yet.
"This is Detective Karen Colglazier. She's been waiting to talk to you," Bianca says. She leaves and closes the door behind her.
Detective. Wes has to repeat that in his head a few times.
She is about forty-five years old, give or take, with olive skin and short, choppy hair. Dark eyes, sort of brown, sort of grey. He doesn't like them. Those eyes are full of shadows. They move around the room, taking in everything at once, before landing on him.
He gestures to the chairs in front of his desk. It's a test-he gives it to everyone, to see which one they'll pick. The one on the right is directly across from his own; anyone confident will choose it. The one on the left is off-center, seating his guest at an angle, forcing them to keep their head turned to maintain eye contact.
The detective picks the one on the right. She is quick to reassure him that nothing horrible has happened, that no one has be...
