Love in the Time of Cholera (Oprah's Book Club) - book cover
World Literature
  • Publisher : Vintage; Reprint edition
  • Published : 05 Oct 2007
  • Pages : 368
  • ISBN-10 : 0307389731
  • ISBN-13 : 9780307389732
  • Language : English

Love in the Time of Cholera (Oprah's Book Club)

"A love story of astonishing power." - Newsweek 

The International Bestseller and modern literary classic by Nobel Prize-winning author Gabriel Garcia Marquez

In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs--yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

Editorial Reviews

"This shining and heartbreaking novel may be one of the greatest love stories ever told." --The New York Times Book Review

"A love story of astonishing power…. Altogether extraordinary." --Newsweek
 
"Brilliant, provocative…magical…splendid writing." --Chicago Tribune
 
"Beguiling, masterly storytelling…. García Márquez writes about love as saving grace, the force that makes life worthwhile." --Newsday
  
"A sumptuous book…[with] major themes of love, death, the torments of memory, the inexorability of old age." --The Washington Post Book World

Readers Top Reviews

StarchildBook Worm
I've only just got round to reading this book and in many ways I wish I hadn't. I'm actually amazed that I finished it as the characters are so unlikeable and in the case of the main protagonist, utterly repulsive. I can't find anything to recommend the book as the plot is ridiculous and the descriptions of the intimacies between the characters difficult to read without feeling revolted. The rape of a 14 year old written about in such a nonchalant way was the worst part. How anyone can call this a love story is beyond me. It's a tale of sexual perversion and obsession and is deeply unpleasant.
MelancholiePeter - T
It took me far longer to read this than any book I’ve read this year. It’s not an easy book to read. It is beautifully written but it is precisely this beauty which made reading it so difficult. Every page is packed with dense, intricate language and it requires a significant level of concentration which, at times, I just did not have to give. The bizarre thing about this book was that I came away with the sensation that, in its almost 400 pages, nothing had happened, when in reality the book tells the story of two people’s entire lifetimes. Despite its title, I don’t consider this to be a book about love. What Florentino feels for Fermina is not love but infatuation. Without ever having spoken to her, he decides that he loves her and must marry her. That she seems to respond to his stalkerish behaviour remains an unexplained mystery to me and so her decision to rebuff him came as no surprise. His decades-long obsession with her never really seems realistic, which places in doubt the ending of the novel and renders it unsatisfactory.
DebiaBlanketyKayCeeK
Now, as a grad student, I HATED this book. Not because it wasn't well written but because I hated the characters and the overall theme. Not sure why everyone loves this one so much. That's my honest review. Take it how you wish.

Short Excerpt Teaser

IT WAS INEVITABLE: the scent of bitter almonds always reminded him of the fate of unrequited love. Dr. Juvenal Urbino noticed it as soon as he entered the still darkened house where he had hurried on an urgent call to attend a case that for him had lost all urgency many years before. The Antillean refugee Jeremiah de Saint-Amour, disabled war veteran, photographer of children, and his most sympathetic opponent in chess, had escaped the torments of memory with the aromatic fumes of gold cyanide.

He found the corpse covered with a blanket on the campaign cot where he had always slept, and beside it was a stool with the developing tray he had used to vaporize the poison. On the floor, tied to a leg of the cot, lay the body of a black Great Dane with a snow-white chest, and next to him were the crutches. At one window the splendor of dawn was just beginning to illuminate the stifling, crowded room that served as both bedroom and laboratory, but there was enough light for him to recognize at once the authority of death. The other windows, as well as every other chink in the room, were muffled with rags or sealed with black cardboard, which increased the oppressive heaviness. A counter was crammed with jars and bottles without labels and two crumbling pewter trays under an ordinary light bulb covered with red paper. The third tray, the one for the fixative solution, was next to the body. There were old magazines and newspapers everywhere, piles of negatives on glass plates, broken furniture, but everything was kept free of dust by a diligent hand. Although the air coming through the window had purified the atmosphere, there still remained for the one who could identify it the dying embers of hapless love in the bitter almonds. Dr. Juvenal Urbino had often thought, with no premonitory intention, that this would not be a propitious place for dying in a state of grace. But in time he came to suppose that perhaps its disorder obeyed an obscure determination of Divine Providence.

A police inspector had come forward with a very young medical student who was completing his forensic training at the municipal dispensary, and it was they who had ventilated the room and covered the body while waiting for Dr. Urbino to arrive. They greeted him with a solemnity that on this occasion had more of condolence than veneration, for no one was unaware of the degree of his friendship with Jeremiah de Saint-Amour. The eminent teacher shook hands with each of them, as he always did with every one of his pupils before beginning the daily class in general clinical medicine, and then, as if it were a flower, he grasped the hem of the blanket with the tips of his index finger and his thumb, and slowly uncovered the body with sacramental circumspection. Jeremiah de Saint-Amour was completely naked, stiff and twisted, eyes open, body blue, looking fifty years older than he had the night before. He had luminous pupils, yellowish beard and hair, and an old scar sewn with baling knots across his stomach. The use of crutches had made his torso and arms as broad as a galley slave's, but his defenseless legs looked like an orphan's. Dr. Juvenal Urbino studied him for a moment, his heart aching as it rarely had in the long years of his futile struggle against death.

"Damn fool," he said. "The worst was over."

He covered him again with the blanket and regained his academic dignity. His eightieth birthday had been celebrated the year before with an official three-day jubilee, and in his thank-you speech he had once again resisted the temptation to retire. He had said: "I'll have plenty of time to rest when I die, but this eventuality is not yet part of my plans." Although he heard less and less with his right ear, and leaned on a silver-handled cane to conceal his faltering steps, he continued to wear a linen suit, with a gold watch chain across his vest, as smartly as he had in his younger years. His Pasteur beard, the color of mother-of-pearl, and his hair, the same color, carefully combed back and with a neat part in the middle, were faithful expressions of his character. He compensated as much as he could for an increasingly disturbing erosion of memory by scribbling hurried notes on scraps of paper that ended in confusion in each of his pockets, as did the instruments, the bottles of medicine, and all the other things jumbled together in his crowded medical bag. He was not only the city's oldest and most illustrious physician, he was also its most fastidious man. Still, his too obvious display of learning and the disingenuous manner in which he used the power of his name had won him less affection than he deserved.

His instructions to the inspector and the intern were precise and rapid. There was no need for an autopsy; the odor in the house was sufficient p...