Murder Your Employer: The McMasters Guide to Homicide - book cover
Action & Adventure
  • Publisher : Avid Reader Press / Simon & Schuster
  • Published : 21 Feb 2023
  • Pages : 400
  • ISBN-10 : 1451648219
  • ISBN-13 : 9781451648218
  • Language : English

Murder Your Employer: The McMasters Guide to Homicide

From the diabolical imagination of Edgar Award–winning novelist, playwright, and story-songwriter Rupert Holmes comes a devilish thriller with a killer concept: The McMasters Conservatory for the Applied Arts, a luxurious, clandestine college dedicated to the fine art of murder where earnest students study how best to "delete" their most deserving victim.

Who hasn't wondered for a split second what the world would be like if a person who is the object of your affliction ceased to exist? But then you've probably never heard of The McMasters Conservatory, dedicated to the consummate execution of the homicidal arts. To gain admission, a student must have an ethical reason for erasing someone who deeply deserves a fate no worse (nor better) than death. The campus of this "Poison Ivy League" college-its location unknown to even those who study there-is where you might find yourself the practice target of a classmate…and where one's mandatory graduation thesis is getting away with the perfect murder of someone whose death will make the world a much better place to live.

Prepare for an education you'll never forget. A delightful mix of witty wordplay, breathtaking twists and genuine intrigue, Murder Your Employer will gain you admission into a wholly original world, cocooned within the most entertaining book about well-intentioned would-be murderers you'll ever read.

Rupert Holmes's much celebrated career ranges from chart-topping story songs with surprising twists-"Escape (The Pina Colada Song)"-to Tony Award–winning whodunit musicals-The Mystery of Edwin Drood-Edgar Award–winning comedy-thrillers-Accomplice-and the Nero Wolfe Best American Mystery Novel nominated Where the Truth Lies, made into an Atom Egoyan motion picture starring Colin Firth and Kevin Bacon. Called "an American treasure" (Los Angeles Times), "a true Renaissance man" by Newsweek, "a comic genius" (Kirkus Reviews) and simply "a genius" (The Times, London), Rupert Holmes brings his wickedly clever storytelling talents to this outrageous and darkly comic mystery set in a secret, idyllic campus where students learn how to "do in others as you would have others do you in."

Editorial Reviews

"Holmes is a gifted wordsmith whose latest is a top-notch read that both entertains and amuses. . . . Delightfully wicked . . . An amusing and cheeky tale with excellent pacing replete with droll observations." -Library Journal (starred review)

"This will be one of the funniest books of the year." -CrimeReads, "Most Anticipated Crime Fiction of 2023"

"If the illustrations of Edward Gorey came to life, they would be in the same neighborhood as this ‘Poison Ivy League' college. . . . Although this beautifully designed DIY manual is full of twists, the emphasis is on comedy . . . but the extraordinary Holmes can pull the heartstrings too. . . . You will love this gigglesome guide to the graves of academe." -The Times (London)

"How has no one thought of this before? Murders set at an imaginary academy set up to train murderers . . . Holmes delights in wordplay that includes puns, literary terms, cultural references, and twists. . . . As Holmes takes hairpin turns from irony back to sincerity for his three McMasters pupils, his zany storytelling will delight fans of The Twyford Code by Janice Hallett, all Sherlock Holmes stories, and even those who love tales of arcane and Gothic institutions." -Bethanne Patrick, NPR

"A funny, fast-paced, flip-the-playbook mystery in which three ordinary citizens are trained in murder on a luxurious hidden estate . . . a fantasy academy laid out like a combination of Hogwarts, Downton Abbey, and a White Lotus–style resort. . . . Holmes can clearly do anything." -The Los Angeles Times

"Edgar winner Holmes frames this cheeky 1950s-set crime novel as a self-study guide for those who can't afford tuition to the McMasters Conservatory for the Applied Arts, a ‘finishing school for finishing people off' . . . [the] farcical plotting, idiosyncratic characters, and witty, stylish prose combine for a fun, frothy read. Fans of humorous historical fiction will be well entertained." -Publishers Weekly

"Highly entertaining . . . This clever novel imparts revelations from the cla...

Readers Top Reviews

Melissa Parcel
Not sure why this took me so long to get through! It's certainly a uniquely told story from a unique author, filled with a bit of mystery and humor and a lot of drama. In some ways, it reminded me of a TJ Klune book, and in other ways of a quirky suspense tale. We are introduced to our main character Cliff Iverson when he attempts unsuccessfully to kill his horrible boss. Presented in the form of a textbook for the McMasters Conservatory for the Applied Arts, we follow Cliff mostly through his journal entries as he navigates his education to learn how to successfully "delete" (aka murder) his employer, and most importantly, to get away with it. We also follow two of his other classmates, Gemma and Doria, as they learn the skills to both murder their own employers and to avoid getting murdered themselves. One of the things that I missed at first that really would have helped me was knowing that this book is set in the 1950s as I struggled for a while with the time setting. There is so much dry humor here, I could totally picture it as a movie on the screen with the witty one-liners. I came to really care for the characters and was rooting for their success in their deletions as their employers were truly awful people. There are some parts that were slow and dragged a bit, but overall this is a highly original tale that has widespread appeal. The ending is superb, so even if you get to some of the slower parts definitely power through and you'll be rewarded in the end. I voluntarily reviewed a complimentary copy of this book, all opinions are my own.
KayMelissa Parcel
Thank you to Avid Reader Press and NetGalley for this ARC. I have to be honest, I went into this with low expectations and was absolutely blown away. Murder your Employer follows the stories of three McMasters students as they prepare to, well, murder their employers. There are multiple POVs and an omniscient narrator, which I don't see a lot of but thought was the perfect choice for this book. I had so much fun with this read. I was gripped by Cliff's story and by the time we got to the McMasters conservatory I was completely in the book's clutches. I'm a sucker for worldbuilding and when it's done well I will eat up every miniscule detail like a little snack and MYE was a whole feast of visual, auditory, tactile, gustatory and olfactory imagery and the illustrations were the cherry on top. Boarding school is such a fun trope and now I can add Holmes to the list of authors who did it excellently. The cast of characters is big, which I thought fit the setting very well. I had fun finding out everyone's motivations, and the side characters felt fleshed out as well as the main cast, with Doria definitely taking the number one spot in my heart (sorry Cliff). Now, the writing. I have to admit, the beginning had me scared that I wouldn't get far. It felt a bit gimmicky and it took a while until I realized there was actually a story here, and not an actual guide. Past that, it was smooth sailing. I'm too young to have understood some of references to pop culture at the time, but they didn't feel condescending as it's often the case. The writing was witty without being exhausting, the dialogue flowed and the twists and turns conveyed just right. For a mystery that's about commiting a murder rather than solving it, the suspense was real and palpable. I can't wait to see more of McMasters.
Kim HeniadisKayMe
I read somewhere once that Rupert Holmes had wished he had never written Escape (The Pina Colada song), and this made me a bit sad because I’ve always enjoyed it. You can see his exceptional use of word play throughout Murder Your Employer: The McMaster’s Guide to Homicide. Murder Your Employer takes place in the 1950’s so a lot of the references to movies and famous people back then may be missed by readers in their 30’s or younger, unless you're a fan of that era of media. Since it does take place back then you also get a lot of old Hollywood and the use of the casting couch to coerce women into sleeping with those higher up. If this book were to take place today, Holmes would have had to write a very different book. Also because of the era, Holmes is able to write a lot of rules of murder that would not be able to be done today because of cell phones and the internet. When one of the characters, Cliff, goes to the movie theater to see cartoons and newsreels before the movie, it starts to really get across how different things were back then. I did find some of the ways to murder people interesting and I’m also fascinated by poisons and using food or drink as the method of delivery, so that was fun. Holmes’s characters are well developed, and after finding out the back stories as to why they want to kill their employers I did want to finish the book to see how everyone handled their thesis… even though the book did drag at times for me, and what would normally take me a couple of days to read, ending up taking five days. If you like historical crime novels and/or dark humor, you should definitely give Murder Your Employer by Rupert Holmes a read.

Short Excerpt Teaser

Chapter I I FROM THE JOURNAL OF CLIFF IVERSON
Although I don't consider myself particularly vain (except perhaps for considering myself more often than I should), I was pleased to have conceived such an expert murder, especially since I'd never previously considered committing one.

My first year at Caltech I had initially pursued a dual major of aeronautic design and English literature, which was sort of like going to Juilliard to study piano and field hockey. As a man without a penny or parent to my name, I was quickly notified that the more-than-generous scholarship I'd been awarded was to develop my budding skills at design and not for any designs I had on deathless prose.

I imagine there are a lot of people out there like me who discover they have a skill at something they like rather than love. But most of us have to earn a living, which is probably why there are any number of accomplished urologists in the world. (And if my sponsor who is reading this journal happens to be an accomplished urologist, thanks for your kindness up until this last sentence and I'll start packing my things now.)

Eventually Caltech led me to MIT, which led me to aircraft manufacturer Woltan Industries, which led me to homicide. This was not entirely MIT's fault. I don't even blame Woltan that much, except for their choice of senior executives, one being my supervisor Merrill Fiedler, who needs to die.

Please understand that by nature I oppose all senseless killing… but in Fiedler's case, murder makes perfect sense.

I have no idea if you know me personally, dear sponsor. If you don't, let me simply say my looks have been described by some as studious and by my myopic aunt as handsome, but this matters little where this journal is concerned, for on the day my relationship with McMasters began, my face was concealed by an unfashionable fedora with its brim pulled low, a wig and false beard of straggly gray hair, and a pair of MacArthur-style sunglasses, at a subway station in Midtown Manhattan. My tall frame was cushioned like a department store Santa by a long vest of padding that amply filled a trench coat four sizes larger than my own.

I maneuvered my newly cumbersome form as daintily as Oliver Hardy doing a soft-shoe with Stan Laurel, passing through the gauntlet of a turnstile and down concrete steps onto the subway's uptown platform, and discovered with satisfaction that my target was standing exactly where I'd wanted him to be: Merrill Fiedler, a crisply groomed success story in his early fifties, in town on business for Woltan's Baltimore plant, where he'd been my supervisor. He was currently thumbing a magazine by a newsstand at the south end of the platform only a few yards away from me, precisely as I'd managed to contrive. I needed Fiedler positioned on the platform where uptown trains entered the station. At the far end, the train would already be braking to a halt and might not deliver an instantly lethal blow.

I know. I'm such a nice guy.

But it was the train that would kill Fiedler, I told myself for the hundredth time, knowing this to be the shabbiest of self-deceptions. I had all the intent of a killer but not the soul. Guns, knives, poisons… these were murder weapons, all of which I'm too inexpert or squeamish to wield with any guarantee of success. But I'd also ruled out poisons and all other arms-length methods that had sprung to mind, for they seemed too calculated and detached, requiring the meticulous planning of a certifiable psychopath. Then the notion of giving Fiedler one good, hard shove had come to me. Yes, I could probably manage that, particularly after having to restrain myself from doing so for the last three years, each time Fiedler savaged another helpless employee. A shove, a push, a jostle seemed very unlike an act of murder. It was simply what might happen at the beginning of a good old-fashioned barroom brawl, before someone in authority called out, "Now-now, boys, there'll be none of that here!" One justifiable shove for all the demeaning, degrading insults and condescending sneers Fiedler flayed and spewed in all directions each workday.

The telling difference would be that this particular shove would occur while Fiedler was standing at the edge of the platform as the IRT train bulleted into the station.

It was the train that would kill Fiedler.

I had also further reasoned that shoves don't have to be registered with the authorities. One can't test-fire a shove and trace it back to its origin, there's no entry wound revealing its angle, nor does it leave telltale residue. Yes, I might leave a bruise mark, but the oversized leather gloves I was wearing would conceal the size and shape of my hands, not to mention my finger...