Mythology & Folk Tales
- Publisher : Ace; Reprint edition
- Published : 22 Aug 2023
- Pages : 432
- ISBN-10 : 0593546989
- ISBN-13 : 9780593546987
- Language : English
The Witch and the Tsar
"A delicate weaving of myth and history, The Witch and the Tsar breathes new life into stories you think you know."–Hannah Whitten, New York Times bestselling author of For the Wolf
In this stunning debut novel, the maligned and immortal witch of legend known as Baba Yaga will risk all to save her country and her people from Tsar Ivan the Terrible-and the dangerous gods who seek to drive the twisted hearts of men.
As a half-goddess possessing magic, Yaga is used to living on her own, her prior entanglements with mortals having led to heartbreak. She mostly keeps to her hut in the woods, where those in need of healing seek her out, even as they spread rumors about her supposed cruelty and wicked spells. But when her old friend Anastasia-now the wife of the tsar, and suffering from a mysterious illness-arrives in her forest desperate for her protection, Yaga realizes the fate of all of Russia is tied to Anastasia's. Yaga must step out of the shadows to protect the land she loves.
As she travels to Moscow, Yaga witnesses a sixteenth century Russia on the brink of chaos. Tsar Ivan-soon to become Ivan the Terrible-grows more volatile and tyrannical by the day, and Yaga believes the tsaritsa is being poisoned by an unknown enemy. But what Yaga cannot know is that Ivan is being manipulated by powers far older and more fearsome than anyone can imagine.
Olesya Salnikova Gilmore weaves a rich tapestry of mythology and Russian history, reclaiming and reinventing the infamous Baba Yaga, and bringing to life a vibrant and tumultuous Russia, where old gods and new tyrants vie for power. This fierce and compelling novel draws from the timeless lore to create a heroine for the modern day, fighting to save her country and those she loves from oppression while also finding her true purpose as a goddess, a witch, and a woman.
In this stunning debut novel, the maligned and immortal witch of legend known as Baba Yaga will risk all to save her country and her people from Tsar Ivan the Terrible-and the dangerous gods who seek to drive the twisted hearts of men.
As a half-goddess possessing magic, Yaga is used to living on her own, her prior entanglements with mortals having led to heartbreak. She mostly keeps to her hut in the woods, where those in need of healing seek her out, even as they spread rumors about her supposed cruelty and wicked spells. But when her old friend Anastasia-now the wife of the tsar, and suffering from a mysterious illness-arrives in her forest desperate for her protection, Yaga realizes the fate of all of Russia is tied to Anastasia's. Yaga must step out of the shadows to protect the land she loves.
As she travels to Moscow, Yaga witnesses a sixteenth century Russia on the brink of chaos. Tsar Ivan-soon to become Ivan the Terrible-grows more volatile and tyrannical by the day, and Yaga believes the tsaritsa is being poisoned by an unknown enemy. But what Yaga cannot know is that Ivan is being manipulated by powers far older and more fearsome than anyone can imagine.
Olesya Salnikova Gilmore weaves a rich tapestry of mythology and Russian history, reclaiming and reinventing the infamous Baba Yaga, and bringing to life a vibrant and tumultuous Russia, where old gods and new tyrants vie for power. This fierce and compelling novel draws from the timeless lore to create a heroine for the modern day, fighting to save her country and those she loves from oppression while also finding her true purpose as a goddess, a witch, and a woman.
Editorial Reviews
"An utterly enchanting, wholly immersive debut that deftly reimagines the legend of Baba Yaga. This one is unmissable."-Alexis Henderson, Author of The Year of the Witching
"The Witch and the Tsar delivers high stakes, memorable characters, and a sixteenth-century Russia you can almost reach out and touch. Yaga's tale is a story I never knew I needed." - Genevieve Gornichec, National bestselling author of The Witch's Heart
"A rich and vivid tapestry of old Russia in an age when Tsar Ivan the Terrible grappled not only with political foes but with the legendary witch Baba Yaga and her command of magic and pagan gods. An evocative journey into old Russian myth and history, and a poignant exploration of what it means to be both human and immortal."–Margaret George, New York Times bestselling author of The Splendor Before the Dark
"This epic tale brings both history and folklore to vivid life. It's a fresh, exciting take sure to capture fans of Madeline Miller's Circe and Jennifer Saint's Ariadne." - Publishers Weekly
"A fierce, historically rich reimagining of the story of Baba Yaga.. full of complicated, three-dimensional women." - Paste Magazine
"In the vein of Madeline Miller's Circe…The Witch and the Tsar incorporates impressive world-building…this deep-dive into Russian history and folklore presents a rich cultural panorama."-Historical Novel Society
"This is a feminist retelling of Yaga, deconstructing the conventional stories around the figure and exposing the ostracised wise woman behind them. Gilmore sets out to do for Baba Yaga what Miller did for Circe, Saint for Ariadne, North for Penelope…and achieves it beautifully…[A] rich and heady blend of historical fiction and mythological retelling." – The Fantasy Hive
"A beautiful combination of pre-Christian mythology and historical figures from mid-1500s Russia. Readers looking to discover a new Baba Yaga will enjoy The Witch and the Tsar." – Manhattan Book...
"The Witch and the Tsar delivers high stakes, memorable characters, and a sixteenth-century Russia you can almost reach out and touch. Yaga's tale is a story I never knew I needed." - Genevieve Gornichec, National bestselling author of The Witch's Heart
"A rich and vivid tapestry of old Russia in an age when Tsar Ivan the Terrible grappled not only with political foes but with the legendary witch Baba Yaga and her command of magic and pagan gods. An evocative journey into old Russian myth and history, and a poignant exploration of what it means to be both human and immortal."–Margaret George, New York Times bestselling author of The Splendor Before the Dark
"This epic tale brings both history and folklore to vivid life. It's a fresh, exciting take sure to capture fans of Madeline Miller's Circe and Jennifer Saint's Ariadne." - Publishers Weekly
"A fierce, historically rich reimagining of the story of Baba Yaga.. full of complicated, three-dimensional women." - Paste Magazine
"In the vein of Madeline Miller's Circe…The Witch and the Tsar incorporates impressive world-building…this deep-dive into Russian history and folklore presents a rich cultural panorama."-Historical Novel Society
"This is a feminist retelling of Yaga, deconstructing the conventional stories around the figure and exposing the ostracised wise woman behind them. Gilmore sets out to do for Baba Yaga what Miller did for Circe, Saint for Ariadne, North for Penelope…and achieves it beautifully…[A] rich and heady blend of historical fiction and mythological retelling." – The Fantasy Hive
"A beautiful combination of pre-Christian mythology and historical figures from mid-1500s Russia. Readers looking to discover a new Baba Yaga will enjoy The Witch and the Tsar." – Manhattan Book...
Readers Top Reviews
Catriona Mitchell
Needed a good edit. Wanted to love this. There was definitely something there, but it would sudden,y change tack or not develop an interesting character enough. Would give her next novel a try.
Kayvan KoieCatrio
Great book. Full of amazing detail. The fleshed out characterizations from Russian folklore was a delight, and it was effortlessly intermixed with historical event. I had a great time reading it and look forward to the authors next book.
LauraSuePKayvan K
This is an amazing tale of history and fiction. It takes the reader on the journey, you are drawn in as if you are there. You can taste the air and feel the fire.
Megan N. LauraSue
The history and details in this book are incredible. The author's words truly transport you to another era, and I loved the rich history she shared along with this re-imagining of who Baba Yaga was. I was captivated by how the author seamlessly weaved true historical events together with the myths, gods, and legends of old Russia.
DanielElmyraBrian
I have read about 1/3 of it. The story is entertaining, and the main character is interesting. The author's take on Russian folklore is fresh and fun, and the historical events and settings well researched. But there is one thing that drives me absolutely bonkers and makes it a DNF for me: weights and measures. Characters in this book mark distance in meters and time in minutes. They count their hours from midnight and midday, not sunup or sundown, and their years from the birth of Christ, not from the creation of the world. Some of this could be chalked up to bad research, but surely even the most casual reader of history knows that kilometers were not in use in the 16th century? It is published by a major publishing house and has rave reviews from several best-selling historical fiction writers. So it had to have been a conscious choice. But why?!
Short Excerpt Teaser
1
Late May 1560
When my owl landed on my shoulder, I knew heartbreak was not far behind.
It was not that twilight tasted different, though on my tongue, the humid spring air had the bitterness of snowfall. It was that, even this deep in the Russian forest, dusk bled into the light with infuriating leisure. The clouds had smothered the last of the sun's rays in scarlet. Yet day clung on, delaying what mortals intended to find their way to my izbushka.
The log hut stood on chicken legs, not swaying or spinning or even pacing, as unnaturally still as me. I usually fidgeted with impatience, eager for my first client to appear, for my work to begin. Now, unease wrapped around my throat, silent as a viper.
My owl could only be here to deliver bad tidings. Like her namesake, night, Noch came in the company of darkness and shadows. It was then the mortals arrived with their fevers, skin infections, and stomach poisons; with the burns from the fires that spread too quickly in their cramped wooden villages. They did not approach me in the light of day, even if it was waning. Not unless they brought disaster.
Noch's bright yellow gaze fixed on me pointedly. She let out a screech loud enough to reanimate the skulls on the fence encircling my izbushka.
They are here, Ya. Her voice, in the language she spoke, reverberated through my mind, becoming words I could understand.
"Already?" I asked in Russian. Someone was coming. Someone desperate enough to risk being seen. "Who is it?"
What am I, your servant? You will see. A downy wing brushed against my cheek teasingly as Noch ascended into the air. But instead of hurling herself back into the sky, she flew into my hut through the open door, shedding several dove-gray feathers in her wake.
I picked up a feather, considering it. My owl never went inside of her own volition, valuing open sky and freedom above all. I strained my ears and waited for the first footfall. All I heard was the song of the crickets and the leaves, rippling in the breeze that had rushed toward me, insistent and oddly cold. Fluff drifted from the ancient cottonwood trees, settling onto the wooden steps of my hut like tufts of snow. And I had just cleaned them.
"Come down, Little Hen," I said to my izbushka, and she obeyed, folding the chicken legs beneath her so she looked almost like a regular house.
I tightened my hold on the broom and swept at the steps with renewed vigor. The hut jerked away, being unbelievably ticklish. The two shuttered windows, one on either side of the door, glowered at me. Their red and blue carvings brightened in indignation.
"Hold still, Little Hen," I said, and swept on. But I kept a close eye on the wood beyond the skulls.
My hut sat in a lush glade surrounded by towering, age-old trees. Overgrown pines and spruces jostled against starved yet stubbornly resilient birches. The oaks stood gravely, expansively, ready to pass on their energy to anyone who asked politely. The wispy grass had grown knee-high and tangled, the forest floor ripe with mushrooms, wild strawberries, and violet petals fallen from geraniums in bloom. Out of this chaos of living things a large man stepped out, all in black, face obscured by a wide-brimmed hat.
I stilled. "Who goes there?"
The man halted at the fence, no doubt trying to decide if the skulls there were human. "Is this the izbushka of Baba Yaga the Bony Leg?"
With my unease temporarily forgotten, my cheeks flushed with familiar indignation. Not many dared to say that name to my face. "It is the izbushka of Yaga."
Fool, I almost added. Do I look like a baba? I was not a babushka, lying on my stove in the throes of advanced age and infirmity. Nor was I a hag, a demon, or an illness. Nothing about me was ill or demonic or old, except the occasional thread of silver in my wild black hair. My father may have been mortal, but Mother had been a goddess since before the Christian god had come to Russia. Because of her immortality, my body had not aged past thirty after centuries on Earth. I sent a little prayer of thanks up to her.
The man stood motionless. His features were weathered and very plain, most covered in coarse black hair, as was the fashion. No outward ailment spelled disaster. His illness, though, could be of the internal or spiritual variety, even of a romantic one.
Either way, it was best to put him at ease, as was my practice with new clients. Those who came for succor found it in my hut. Healing filled the empty hours of my days, kept my hands occupied and my mind busy, gave me a sense of purpose. If I could live among mortals, healing and advising them, I would.
But the legend that clung to me-the legend of Baba Yaga, built on ...
Late May 1560
When my owl landed on my shoulder, I knew heartbreak was not far behind.
It was not that twilight tasted different, though on my tongue, the humid spring air had the bitterness of snowfall. It was that, even this deep in the Russian forest, dusk bled into the light with infuriating leisure. The clouds had smothered the last of the sun's rays in scarlet. Yet day clung on, delaying what mortals intended to find their way to my izbushka.
The log hut stood on chicken legs, not swaying or spinning or even pacing, as unnaturally still as me. I usually fidgeted with impatience, eager for my first client to appear, for my work to begin. Now, unease wrapped around my throat, silent as a viper.
My owl could only be here to deliver bad tidings. Like her namesake, night, Noch came in the company of darkness and shadows. It was then the mortals arrived with their fevers, skin infections, and stomach poisons; with the burns from the fires that spread too quickly in their cramped wooden villages. They did not approach me in the light of day, even if it was waning. Not unless they brought disaster.
Noch's bright yellow gaze fixed on me pointedly. She let out a screech loud enough to reanimate the skulls on the fence encircling my izbushka.
They are here, Ya. Her voice, in the language she spoke, reverberated through my mind, becoming words I could understand.
"Already?" I asked in Russian. Someone was coming. Someone desperate enough to risk being seen. "Who is it?"
What am I, your servant? You will see. A downy wing brushed against my cheek teasingly as Noch ascended into the air. But instead of hurling herself back into the sky, she flew into my hut through the open door, shedding several dove-gray feathers in her wake.
I picked up a feather, considering it. My owl never went inside of her own volition, valuing open sky and freedom above all. I strained my ears and waited for the first footfall. All I heard was the song of the crickets and the leaves, rippling in the breeze that had rushed toward me, insistent and oddly cold. Fluff drifted from the ancient cottonwood trees, settling onto the wooden steps of my hut like tufts of snow. And I had just cleaned them.
"Come down, Little Hen," I said to my izbushka, and she obeyed, folding the chicken legs beneath her so she looked almost like a regular house.
I tightened my hold on the broom and swept at the steps with renewed vigor. The hut jerked away, being unbelievably ticklish. The two shuttered windows, one on either side of the door, glowered at me. Their red and blue carvings brightened in indignation.
"Hold still, Little Hen," I said, and swept on. But I kept a close eye on the wood beyond the skulls.
My hut sat in a lush glade surrounded by towering, age-old trees. Overgrown pines and spruces jostled against starved yet stubbornly resilient birches. The oaks stood gravely, expansively, ready to pass on their energy to anyone who asked politely. The wispy grass had grown knee-high and tangled, the forest floor ripe with mushrooms, wild strawberries, and violet petals fallen from geraniums in bloom. Out of this chaos of living things a large man stepped out, all in black, face obscured by a wide-brimmed hat.
I stilled. "Who goes there?"
The man halted at the fence, no doubt trying to decide if the skulls there were human. "Is this the izbushka of Baba Yaga the Bony Leg?"
With my unease temporarily forgotten, my cheeks flushed with familiar indignation. Not many dared to say that name to my face. "It is the izbushka of Yaga."
Fool, I almost added. Do I look like a baba? I was not a babushka, lying on my stove in the throes of advanced age and infirmity. Nor was I a hag, a demon, or an illness. Nothing about me was ill or demonic or old, except the occasional thread of silver in my wild black hair. My father may have been mortal, but Mother had been a goddess since before the Christian god had come to Russia. Because of her immortality, my body had not aged past thirty after centuries on Earth. I sent a little prayer of thanks up to her.
The man stood motionless. His features were weathered and very plain, most covered in coarse black hair, as was the fashion. No outward ailment spelled disaster. His illness, though, could be of the internal or spiritual variety, even of a romantic one.
Either way, it was best to put him at ease, as was my practice with new clients. Those who came for succor found it in my hut. Healing filled the empty hours of my days, kept my hands occupied and my mind busy, gave me a sense of purpose. If I could live among mortals, healing and advising them, I would.
But the legend that clung to me-the legend of Baba Yaga, built on ...