Clark and Division - book cover
  • Publisher : Soho Crime
  • Published : 28 Jun 2022
  • Pages : 336
  • ISBN-10 : 1641293691
  • ISBN-13 : 9781641293693
  • Language : English

Clark and Division

A New York Times Best Mystery Novel of 2021

Set in 1944 Chicago, Edgar Award-winner Naomi Hirahara's eye-opening and poignant new mystery, the story of a young woman searching for the truth about her revered older sister's death, brings to focus the struggles of one Japanese American family released from mass incarceration at Manzanar during World War II.

Chicago, 1944: Twenty-year-old Aki Ito and her parents have just been released from Manzanar, where they have been detained by the US government since the aftermath of Pearl Harbor, together with thousands of other Japanese Americans. The life in California the Itos were forced to leave behind is gone; instead, they are being resettled two thousand miles away in Chicago, where Aki's older sister, Rose, was sent months earlier and moved to the new Japanese American neighborhood near Clark and Division streets. But on the eve of the Ito family's reunion, Rose is killed by a subway train.

Aki, who worshipped her sister, is stunned. Officials are ruling Rose's death a suicide. Aki cannot believe her perfect, polished, and optimistic sister would end her life. Her instinct tells her there is much more to the story, and she knows she is the only person who could ever learn the truth.

Inspired by historical events, Clark and Division infuses an atmospheric and heartbreakingly real crime with rich period details and delicately wrought personal stories Naomi Hirahara has gleaned from thirty years of research and archival work in Japanese American history.

Editorial Reviews

Praise for Clark and Division

Winner of the Mary Higgins Clark Award
Winner of The Lefty Award for Best Historical Novel
Nominated for the Agatha Award for Best Historical Novel
Nominated for the Anthony Award for Best Novel
An Anthony Award Nominee for Best Novel
A New York Times Best Mystery Novel of 2021
A Parade Magazine 101 Best Mystery Books of All Time
A New York Times Book Review Editor's Choice
A Washington Post Best Mystery and Thriller of 2021
A South Florida Sun-Sentinel Best Mystery Novel of 2021
A Milwaukee Journal-Sentinel Best Book of 2021
Barnes & Noble Best Books of 2021
Amazon Best Mysteries and Thrillers of 2021
A CrimeReads Best Crime Novel of 2021
New York Public Library Best Books of 2021
A BookPage Best Mystery & Thriller of 2021
An ABA Indie Next Pick
2021 ABA Indie Next List Genre Gift Guide
An Amazon Best of the Month for Mystery/Thriller
An Apple Best Books of the Month
Bustle's Most Anticipated Books

"Searing . . . This is as much a crime novel as it is a family and societal tragedy, filtering one of the cruelest examples of American prejudice through...

Readers Top Reviews

Fern ReisnerGadge
Historical fiction. Learned much about how the Japanese living in the west coast were treated during WW2
As always, another enjoyable read by Naomi Hirahara. A great storyline, characters, setting, and period piece. Looking forward to what is next!
Delia C. Pitts
The luminous prose and exquisite detail of this novel captured me, but it was the tough-minded determination of the heroine, Aki Ito, which kept me riveted. Her drive to learn what caused her sister's mysterious death kept me glued to this wonderful novel. I also loved the details of life in 1940's Chicago, with special focus on the community of Japanese Americans resettled in the city after the atrocious internment in concentration camps. The narrative, like the main character, is clear-eyed, sincere, and compelling.
Delia C. Pitts
This was an interesting book historically and it was also a good detective type novel. There were many facts that I had not realized about the interment camps in California that are in this book. The story of Aki, the main character, and how she solves the mystery of how her sister really died is also very interesting and full of twists and turns.
gammyjillHappyrea
A problem for me as a book reviewer on Amazon and Goodreads is the use of the 3 star rating. Out of five stars, the ratings of 4 or 5 stars connote a “positive” rating, and 1, 2, and 3 stars mean a “negative” rating. I think the 3 stars should be a “neutral” rating, which would for mean a book I didn’t consider good or bad. Basically, it means a book I didn’t regret reading, but wouldn’t remember reading a month later. And so it is for Naomi Hirahara’s new novel, “Clark and Division”. Set in Chicago in 1944, the novel tells of the Ito family. Originally from the Los Angeles area, the family had spent two years in the settlement camp at Manzanar, the Itos had been released to live in Chicago. The parents were Issei and their 2 daughters were Nisei. The older daughter, Rose, had gone ahead of the rest of the family to begin their transition to Chicago. But when the parents and younger sister, Aki, arrive in Chicago, they are greeted by members of the relocation office who tell them that Rose has been killed by falling in front of a subway train in the subway station at Clark and Division streets. The rest of the book is Aki trying to find out if her sister had committed suicide - the official determination - or had been murdered. We meet lots of people, most of whom have backstories, and the plot lurches on, fitfully, til we reach the end of the book. The book isn’t bad - remember the 3 star rating - but never exactly captured my interest. It is one of those books that lots of readers liked a lot (see all the 4 and 5 star ratings) but others just couldn’t catch the magic. I’d advise reading the positive reviews before you decide to buy the book.

Short Excerpt Teaser

Chapter 1


Rose was always there, even while I was being born. It was a breech birth; the midwife, soaked in her own sweat as well as some of my mother's, had been struggling for hours and didn't notice my three-year-old sister inching her way to the stained bed. According to the midwife, Mom was screaming unrepeatable things in Japanese when Rose, the first one to see an actual body part of mine, yanked my slimy foot good and hard.
"Ito-san!" The midwife's voice cut through the chaos, and my father came in to get Rose out of the room.
Rose ran; Pop couldn't catch her at first and when he finally did, he couldn't control her. In a matter of minutes, Rose, undeterred by the blood on my squirming body, returned to embrace me into her fan club. Until the end of her days and even beyond, my gaze would remain on her.
Our first encounter became Ito family lore, how I came into the world in our town of Tropico, a name that hardly anyone in Los Angeles knows today. For a while, I couldn't remember a time when I was apart from Rose. We slept curled up like pill bugs on the same thin mattress; it was pachanko, flat as a pancake, but we didn't mind. Our spines were limber back then. We could have slept on a blanket over our dirt yard, which we did sometimes during those hot Southern California Indian summers, our puppy, Rusty, at our bare feet.
Tropico was where my father and other Japanese men first came to till the rich alluvial soil for strawberry plants. They were the Issei, the first generation, the pioneers who were the progenitors of us, the Nisei. Pop had been fairly successful, until the housing subdivisions came. The other Issei farmers fled south to Gardena or north to San Fernando Valley, but Pop stayed and got a job at one of the produce markets clustered in downtown Los Angeles, only a few miles away. Tonai's sold every kind of vegetable and fruit imaginable-Pascal celery from Venice; iceberg lettuce from Santa Maria and Guadalupe; Larson strawberries from Gardena; and Hale's Best cantaloupes from Imperial Valley.
My mother had emigrated from Kagoshima in 1919, when she was in her late teens, to marry my father. The two families had known each other way back when, and while my mother wasn't officially a picture bride, she was mighty close. My father, who had received Mom's photograph from his own mother, liked her face-her strong and broad jaw, which suggested she might be able to survive the frontier of California. His hunch was right; in so many ways, she was even tougher than my father.
When I was five, Pop was promoted to market manager and we moved to a larger house, still in Tropico. The house was close to the Red Car electric streetcar station so Pop didn't need to drive into work, but he usually traveled in his Model A anyway; he wasn't the type to wait around for a train. Rose and I still shared a room but we had our own beds, although during certain nights when the Santa Ana
winds blew through our loose window frames I would end up crawling in beside her. "Aki!" she'd cry out as my cold toes brushed against her calves. She'd turn and fall back asleep while I trembled in her bed, fearful of the moving shadows of the sycamore trees, demented witches in the moonlight.
Maybe because my life started with her touch, I needed to be close to her to feel that I was alive. I was her constant student, even though I could never be like her. My face was often red and swollen, as I was plagued by hay fever from the long stalks of ragweed that crept into every crack of concrete near the Los Angeles River. Rose's complexion, on the other hand, was flawless, with only a dot of a mole on the high point of her right cheekbone. Whenever I was near enough to look at her face, I'd feel grounded, centered and unmovable, less affected by any change in our circumstances.
While Rose was surrounded by admirers, she kept her distance just enough to be viewed as mysterious and desirable. This was something we learned from our parents. Although we were thought well of by other Japanese Americans, we were not indiscriminate joiner types, at least before the war. In school, our classmates were mostly white and upper-middle- class kids who attended cotillions or Daughters of the American Revolution events, activities that were off-limits to us. There were about a dozen Nisei offspring of florists and nursery operators-smart, obedient boys and immaculately
dressed girls, who Rose ...