The Lion, the Witch, and the Wardrobe - book cover
Literature & Fiction
  • Publisher : HarperCollins
  • Published : 05 Mar 2002
  • Pages : 224
  • ISBN-10 : 0064471047
  • ISBN-13 : 9780064471046
  • Language : English

The Lion, the Witch, and the Wardrobe

Don't miss one of America's top 100 most-loved novels, selected by PBS's The Great American Read.

A mass-market paperback edition of The Lion, the Witch and the Wardrobe, book two in the classic fantasy series The Chronicles of Narnia. This edition features cover art by Cliff Nielsen and interior black-and-white illustrations by the series' original illustrator, Pauline Baynes. 



Four adventurous siblings-Peter, Susan, Edmund, and Lucy Pevensie-step through a wardrobe door and into the land of Narnia, a land frozen in eternal winter and enslaved by the power of the White Witch. But when almost all hope is lost, the return of the Great Lion, Aslan, signals a great change . . . and a great sacrifice.

The Lion, the Witch and the Wardrobe is the second book in C. S. Lewis's classic fantasy series, which has been drawing readers of all ages into a magical land with unforgettable characters for over sixty years. This is a stand-alone read, but if you would like to explore more of the Narnian realm, pick up The Horse and His Boy, the third book in The Chronicles of Narnia.

Readers Top Reviews

Literature FiendM
Yes, I’ve watched the films, who hasn’t? They’re great! But I had really fond memories of reading The Lion, the Witch and the Wardrobe when I was younger. And like the Pevensie children in the novel, I was drawn back! This novel is by far the most popular in The Narnia Series, and it’s easy to see why. Published in 1950, it offers complete escapism for the reader; Peter, Susan, Edmund, and Lucy are evacuated from London to avoid the Blitz and are sent to a big house in the countryside. This is one location in the novel and the other, of course, is the magical world of Narnia. Much of this story is etched into my memory from reading the books and watching the films but I did find one discover a part of the story (don’t worry, it’s not a spoiler) I’ve never really paid attention to before. It’s a conversation between Peter, Lucy, and Professor Digory Kirke, which goes like this: “But there was no time,” said Susan. “Lucy had had no time to have gone anywhere, even if there was such a place. She came running after us the very moment we were out of the room. It was less than a minute, and she pretended to be away for hours.” “That is the very thing that makes her story so likely to be true,” said the Professor. “If there really is a door in this house that leads to some other world (and I should warn you that this is a very strange house, and even I know very little about it) – if, I say, she had got into another world, I should not be at all surprised to find that the other world had a separate time of its own; so that however long you stayed there it would never take up any of our time. On the other hand, I don’t think many girls of her age would invent that idea for themselves. If she had been pretending, she would have hidden for a reasonable time before coming out and telling her story.” I loved this part because you have two children worried about their little sisters sanity, only for a well respected Professor (and adult) to basically say, “Why not? Keep your minds open to other possibilities.” A great lesson for anyone reading this novel! The writing style is very simple and easy to read which is such a difficult thing to achieve. I also really liked the little drawings scattered throughout the book. Overall, a brilliant story by C.S Lewis, and one which I feel has more than enough depth for adults and children to enjoy.
Arachne202Literat
I've just read this aloud in instalments to my eight-year-old daughter. At first, I had to get past her laughter at the "I say, rather!" way the characters speak. ("How OLD is this book, Mummy?") But there was a little intake of breath when she realised this was a fantasy world where the characters could actually get killed. And then she was hooked. And she was reading extra chapters under the bedclothes after I'd left the room. First published in 1950, this is one of the most classic portal fantasies ever written. Four children are sent from London to an old house in the country during the evacuations of World War II. Through a magic wardrobe, they enter the fantasy land of Narnia, which is a jumbled mixture of Greek mythology, Bible stories, and Arthurian romances, with a bit of Medieval Bestiaries thrown in and also a nod to George Macdonald. The White Witch has made herself Queen of Narnia, and put it under the spell of an ever-constant winter. With the arrival of the children and the lion Aslan, an old prophecy is met, spring comes to Narnia, and there is a major clash between the good and evil Narnians on who gets to dominate Narnia. It is good writing to read aloud, and I can see why decades of schoolteachers have done so to their classes, including my own Year 3 teacher when I was a child. It's also a good silent read for children on the 8+years level. I had to explain the Adam and Eve story to my daughter, but otherwise the child doesn't need to already know the rich layers of references within it, which fed my own subsequent reading for years and years when I was a child - I wanted to know more about all the creatures C.S. Lewis had referred to! (Though I never did find out who the People of the Toadstools were.....) Re-reading it again as an adult, what struck me was the influence of World War II. I have no idea how much C.S. Lewis followed the events of the war from his academic enclave, or how aware he was of the atrocities in Europe. But certain bits of the imagery - the wolf who was Chief of the Secret Police and visited victims in the night to trash their homes; the White Witch casually pointing her wand at a happy little family party at the side of the road and turning them to stone, in spite of Edmund's pleas - felt connected to it. And unlike the stone spells, deaths caused by gunfire can not be reversed. My daughter hasn't got that far in her history lessons yet.
Practically Prime
I needed this book last minute! It arrived quickly, the paperback version was easy to read and it's held up really well overall. There are beautiful illustrations inside too!
Roland ClarkePrac
Review 4.4 stars This was still as enjoyable as when I read the book as a child some decades ago. and then, I read it again, a few times or more. The magic never goes when I return to Narnia and I will always encourage other kids to escape there, and to relish the magical use of words and phrases. This book never gets old. It’s the first Narnia book that I encountered – and the first written then published, although chronologically the second. I always felt that talking animals would be amazing and C. S Lewis makes them believable and unique characters. For me, the children were always of less interest than the creatures of Narnia – starting with Tumnus the Faun. Although in her defence, Lucy is always the most endearing child. Everyone has things that make them contrast with the others, creating a memorable cast including Aslan. However, while giving human characteristics to a faun seems credible, it’s harder to accept animals described in similar terms. For Narnia, that works, but as an adult, I can sense it’s not being true to their real nature. But don’t let that spoil the weaving of the spell. This is a classic fantasy for children, and disbelief is wonderfully suspended from the moment that Lucy Pevensie finds her way through the wardrobe and begins an enchanting adventure. In Narnia, we have a world where the unexpected is possible and magic is at the heart of the creation. For the older reader, this world poses a few questions. Perhaps that is why C.S Lewis felt compelled, after five books, to eventually write about the world’s origins in The Magician’s Nephew – my favourite Narnia book and chronologically Book 1. Yes, there are aspects that are dated like attitudes to girls/women fighting, and there are the Christian undertones, but I can forget these as the whole creation transports me.                                                                                                                                                                   There is clever use of language, of humorous phrases, of adjectives to evoke emotions – both in the dialogue, and in the descriptive passages that abound, bringing Narnia alive in the imagination. “…And you are riding not on a road nor in a park nor even on the downs, but right across Narnia, in spring, down solemn avenues of beech and across sunny glades of oak, through wild orchards of snow-white cherry trees, past roaring waterfalls and mossy r...
Babara VBabara VK
I love this story. I had ordered several for my book club. The problem is that some of the pages in two of the books were printed so lightly they were unreadable. It was as if the printer had run out of ink. I have taken a picture of one of the pages.