Genre Fiction
- Publisher : Anchor; Reprint edition
- Published : 16 May 2023
- Pages : 384
- ISBN-10 : 0593466578
- ISBN-13 : 9780593466575
- Language : English
When Women Were Dragons: A Novel
A GOODREADS BEST BOOK OF THE YEAR • A fiery feminist fantasy tale set in 1950s America where thousands of women have spontaneously transformed into dragons, exploding notions of a woman's place in the world and expanding minds about accepting others for who they really are.
"Ferociously imagined…and as exhilarating as a ride on dragonback." -Lev Grossman, bestselling author of The Magicians Trilogy
"Completely fierce, unmistakably feminist, and subversively funny." -Bonnie Garmus, bestselling author of Lessons in Chemistry
In the first adult novel by the New York Times bestselling author of The Ogress and The Orphans, Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a trail of fiery destruction in their path; and took to the skies. Was it their choice? What will become of those left behind? Why did Alex's beloved aunt Marla transform but her mother did not? Alex doesn't know. It's taboo to speak of.
Forced into silence, Alex nevertheless must face the consequences of this astonishing event: a mother more protective than ever; an absentee father; the upsetting insistence that her aunt never even existed; and
watching her beloved cousin Bea become dangerously obsessed with the forbidden.
In this timely and timeless speculative novel, award-winning author Kelly Barnhill boldly explores rage, memory, and the tyranny of forced limitations. When Women Were Dragons exposes a world that wants to keep women small-their lives and their prospects-and examines what happens when they rise en masse and take up the space they deserve.
"Ferociously imagined…and as exhilarating as a ride on dragonback." -Lev Grossman, bestselling author of The Magicians Trilogy
"Completely fierce, unmistakably feminist, and subversively funny." -Bonnie Garmus, bestselling author of Lessons in Chemistry
In the first adult novel by the New York Times bestselling author of The Ogress and The Orphans, Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a trail of fiery destruction in their path; and took to the skies. Was it their choice? What will become of those left behind? Why did Alex's beloved aunt Marla transform but her mother did not? Alex doesn't know. It's taboo to speak of.
Forced into silence, Alex nevertheless must face the consequences of this astonishing event: a mother more protective than ever; an absentee father; the upsetting insistence that her aunt never even existed; and
watching her beloved cousin Bea become dangerously obsessed with the forbidden.
In this timely and timeless speculative novel, award-winning author Kelly Barnhill boldly explores rage, memory, and the tyranny of forced limitations. When Women Were Dragons exposes a world that wants to keep women small-their lives and their prospects-and examines what happens when they rise en masse and take up the space they deserve.
Editorial Reviews
A Best Book of the Year: GOODREADS, BUZZFEED, BOOKRIOT, KIRKUS and LIBRARY JOURNAL
"Completely fierce, unmistakably feminist, and subversively funny, When Women Were Dragons brings the heat to misogyny with glorious imagination and talon-sharp prose. Check the skies tonight-you might just see your mother."
-Bonnie Garmus, author of Lessons in Chemistry
"Ferociously imagined, incandescent with feeling, this book is urgent and necessary and as exhilarating as a ride on dragonback."
-Lev Grossman, author of The Magicians Trilogy
"[A] riveting historical fantasy...What's surprising about Barnhill's rare foray into adult fiction is its subversiveness and feminist rage. It's a powerful, searing novel that feels deeply true, despite its magical premise."
-BuzzFeed
"Kelly Barnhill's poetic, pointed tale tackles the era's pervasive silence concerning all things female."
-Christian Science Monitor
"Kelly Barnhill couldn't have realized when she wrote When Women Were Dragons how prescient it would be when it went on sale this month...Barnhill's prose is gorgeous and powerful."
-The St. Paul Pioneer Press
"A complex, heartfelt story about following your heart and opening your mind to new possibilities. This novel's magic goes far beyond the dragons."
-Kirkus (starred review)
"A deeply felt exploration of feminism in an alternate fantastical history...This allegory packs a punch."
-Publishers Weekly
"Barnhill's sharp and lyrical prose showcases the joys and agonies of female power in this coming-of-age/alternate history."
-Library Journal
"If much of the novel feels like a full-throated howl, an indictment of a system of gender apartheid, an alchemy occurs in the final chapters . . . Kelly Barnhill reimagines a world where women...
"Completely fierce, unmistakably feminist, and subversively funny, When Women Were Dragons brings the heat to misogyny with glorious imagination and talon-sharp prose. Check the skies tonight-you might just see your mother."
-Bonnie Garmus, author of Lessons in Chemistry
"Ferociously imagined, incandescent with feeling, this book is urgent and necessary and as exhilarating as a ride on dragonback."
-Lev Grossman, author of The Magicians Trilogy
"[A] riveting historical fantasy...What's surprising about Barnhill's rare foray into adult fiction is its subversiveness and feminist rage. It's a powerful, searing novel that feels deeply true, despite its magical premise."
-BuzzFeed
"Kelly Barnhill's poetic, pointed tale tackles the era's pervasive silence concerning all things female."
-Christian Science Monitor
"Kelly Barnhill couldn't have realized when she wrote When Women Were Dragons how prescient it would be when it went on sale this month...Barnhill's prose is gorgeous and powerful."
-The St. Paul Pioneer Press
"A complex, heartfelt story about following your heart and opening your mind to new possibilities. This novel's magic goes far beyond the dragons."
-Kirkus (starred review)
"A deeply felt exploration of feminism in an alternate fantastical history...This allegory packs a punch."
-Publishers Weekly
"Barnhill's sharp and lyrical prose showcases the joys and agonies of female power in this coming-of-age/alternate history."
-Library Journal
"If much of the novel feels like a full-throated howl, an indictment of a system of gender apartheid, an alchemy occurs in the final chapters . . . Kelly Barnhill reimagines a world where women...
Readers Top Reviews
F. JamesKaylaNikk
What a beautiful story and such amazing characters. I saw some reviews calling it “heavy handed feminism”, but I don’t think so. Or maybe it’s what we really need right now.
L.L. DeckerF. Jam
I will be "chewing" on this story for a while. There's so much to ponder, so much to question, so much to attempt to understand . Do I want to try and discern what the author's intent was, or would I rather try to discover my own meaning? Both?
Michelle Strickle
This is the sort of book you find yourself in...wondering am I more like hero of villian. Have i been silent when voice mattered? Have i left when I should have stayed? Have i fought for love enough in a world that needs more of it? This book calls us to account.
Schizanthus NerdM
“All women are magic. Literally all of us. It’s in our nature. It’s best you learn that now.” Sometimes a cover image is enough to reel me in. Sometimes I only need to read the blurb to know for sure that a book is destined to become a favourite. Sometimes, just sometimes, I’ll only make it to the third page before I buy the ebook so I can highlight passages to my heart’s content. This is that book. Marya Tilman’s transformation on 18 September 1898 was the “earliest scientifically confirmed case of spontaneous dragoning within the United States” but there were records of dragoning occurring centuries prior. You might believe that it was all over after the Mass Dragoning of 1955 but you’d be wrong. So very wrong. For those whose feet remained firmly on the ground on 25 April 1955, life went on. People still went to work. Children still went to school. It was business as usual. But this new normal came at a cost. Dragoning is unmentionable. Don’t talk about what happened. Forget those who dragoned. They never existed in the first place. Keep your eyes on the ground. You don’t want any dangerous ideas. “Perhaps this is how we learn silence - an absence of words, an absence of context, a hole in the universe where the truth should be.” This is Alex’s memoir (of sorts). Alex saw her first dragon when she was four. She was still a child when the Mass Dragoning happened. Through her eyes, we not only see how the Mass Dragoning changed society as a whole but also how it impacted upon Alex’s own family. Through dragoning, this book explores trauma and the silencing that often takes place in its aftermath. It’s about how women diminish themselves to fit into the shape that society prescribes and the toxicity of secrets. It’s the power of women taking up space and refusing to be gaslit anymore. When I started this book I thought it was going to be about an alternate 1950’s, one where women got pissed off with the patriarchy and turned into dragons. And it is. Sort of. But it’s so much more. There’s rage in this book but there’s also joy. “It is joy that burns me now, and joy that makes my back ache for wings, and it is joy that makes me long to be more than myself.” I fell in love with auntie Marla and Beatrice. I met the best librarian ever. I felt rage and helplessness alongside determination and hope and love. I ugly cried. Oh, did I ugly cry. I felt a kinship with the characters who dragoned and a fire inside that I fully expected to result in my own dragoning. I love this book so much! “Today’s the day!” Content warnings are included on my blog. Thank you so much to Allen & Unwin for the opportunity to read this book.
#EmptyNestReaderS
This is the story of the seminal event of the 1950’s. The day when women had had enough of being minimized, excluded and silenced. The day when women turned their heads toward the sky and spontaneously transformed into dragons. It is a story of a collective frustration, in fact of a collective rage, at the tyranny that forced them to live and be a certain way. An allegory for what can (could?) happen when women rise as one and take up the space that they deserve. The book is dedicated to Christine Blasey Ford. In her acknowledgements the author writes: "I, along with the rest of America, listened with horror and incandescent fury to the brave, stalwart testimony of Christine Blasey Ford, as she begged the Senate to reconsider their Supreme Court Justice nominee and make a different choice, and I decided to write a story about rage.” This book is not based on Christine Blasey Ford or her testimony, but it would not have existed without that woman’s bravery, her calm adherence to the facts, and her willingness to relive one of the worst moments of her life to help America save itself from itself. Her actions didn’t work, but they still mattered.” Rooted in Magical Realism, this book was a great read on a serious subject, “In its heart, this is a story about memory, and trauma. It’s about the damage we do to ourselves and our community when we refuse to talk about the past. It’s about the memories that we don’t understand, and can’t put into context, until we learn more about the world.” This is also a story about the importance of accepting people for who they are. The thought of putting the patriarchy in its place had me cheering the women/dragons on throughout the book! ⭐️⭐️⭐️⭐️⭐️
Short Excerpt Teaser
1.
I was four years old when I first met a dragon. I never told my mother. I didn't think she'd understand.
(I was wrong, obviously. But I was wrong about a lot of things when it came to her. This is not particularly unusual. I think, perhaps, none of us ever know our mothers, not really. Or at least, not until it's too late.)
The day I met a dragon, was, for me, a day of loss, set in a time of instability. My mother had been gone for over two months. My father, whose face had become as empty and expressionless as a hand in a glove, gave me no explanation. My auntie Marla, who had come to stay with us to take care of me while my mother was gone, was similarly blank. Neither spoke of my mother's status or whereabouts. They did not tell me when she would be back. I was a child, and was therefore given no information, no frame of reference, and no means by which I might ask a question. They told me to be a good girl. They hoped I would forget.
There was, back then, a little old lady who lived across our alley. She had a garden and a beautiful shed and several chickens who lived in a small coop with a faux owl perched on top. Sometimes, when I wandered into her yard to say hello, she would give me a bundle of carrots. Sometimes she would hand me an egg. Or a cookie. Or a basket full of strawberries. I loved her. She was, for me, the one sensible thing in a too-often senseless world. She spoke with a heavy accent-Polish, I learned much later-and called me her little żabko, as I was always jumping about like a frog, and then would put me to work picking ground-cherries or early tomatoes or nasturtiums or sweet peas. And then, after a bit, she would take my hand and walk me home, admonishing my mother (before her disappearance) or my aunt (during those long months of mother-missing). "You must keep your eyes on this one," she'd scold, "or one day she'll sprout wings and fly away."
It was the very end of July when I met the dragon, on an oppressively hot and humid afternoon. One of those days when thunderstorms linger just at the edge of the sky, hulking in raggedy murmurs for hours, waiting to bring in their whirlwinds of opposites-making the light dark, howling at silences, and wringing all the wetness out of the air like a great, soaked sponge. At this moment, though, the storm had not yet hit, and the whole world simply waited. The air was so damp and warm that it was nearly solid. My scalp sweated into my braids, and my smocked dress had become crinkled with my grubby handprints.
I remember the staccato barking of a neighborhood dog.
I remember the far-off rumble of a revving engine. This was likely my aunt, fixing yet another neighbor's car. My aunt was a mechanic, and people said she had magic hands. She could take any broken machine and make it live again.
I remember the strange, electric hum of cicadas calling to one another from tree to tree to tree.
I remember the floating motes of dust and pollen hanging in the air, glinting in the slant of light.
I remember a series of sounds from my neighbor's backyard. A man's roar. A woman's scream. A panicked gasping. A scrabble and a thud. And then, a quiet, awestruck Oh!
Each one of these memories is clear and keen as broken glass. I had no means to understand them at the time-no way to find the link between distinct and seemingly unrelated moments and bits of information. It took years for me to learn how to piece them together. I have stored these memories the way any child stores memory-a haphazard collection of sharp, bright objects socked away on the darkest shelves in the dustiest corners of our mental filing systems. They stay there, those memories, rattling in the dark. Scratching at the walls. Disrupting our careful ordering of what we think is true. And injuring us when we forget how dangerous they are, and we grasp too hard.
I opened the back gate and walked into the old lady's yard, as I had done a hundred times. The chickens were silent. The cicadas stopped humming and the birds stopped calling. The old lady was nowhere to be seen. Instead, there in the center of the yard, I saw a dragon sitting on its bottom, midway between the tomatoes and the shed. It had an astonis...
I was four years old when I first met a dragon. I never told my mother. I didn't think she'd understand.
(I was wrong, obviously. But I was wrong about a lot of things when it came to her. This is not particularly unusual. I think, perhaps, none of us ever know our mothers, not really. Or at least, not until it's too late.)
The day I met a dragon, was, for me, a day of loss, set in a time of instability. My mother had been gone for over two months. My father, whose face had become as empty and expressionless as a hand in a glove, gave me no explanation. My auntie Marla, who had come to stay with us to take care of me while my mother was gone, was similarly blank. Neither spoke of my mother's status or whereabouts. They did not tell me when she would be back. I was a child, and was therefore given no information, no frame of reference, and no means by which I might ask a question. They told me to be a good girl. They hoped I would forget.
There was, back then, a little old lady who lived across our alley. She had a garden and a beautiful shed and several chickens who lived in a small coop with a faux owl perched on top. Sometimes, when I wandered into her yard to say hello, she would give me a bundle of carrots. Sometimes she would hand me an egg. Or a cookie. Or a basket full of strawberries. I loved her. She was, for me, the one sensible thing in a too-often senseless world. She spoke with a heavy accent-Polish, I learned much later-and called me her little żabko, as I was always jumping about like a frog, and then would put me to work picking ground-cherries or early tomatoes or nasturtiums or sweet peas. And then, after a bit, she would take my hand and walk me home, admonishing my mother (before her disappearance) or my aunt (during those long months of mother-missing). "You must keep your eyes on this one," she'd scold, "or one day she'll sprout wings and fly away."
It was the very end of July when I met the dragon, on an oppressively hot and humid afternoon. One of those days when thunderstorms linger just at the edge of the sky, hulking in raggedy murmurs for hours, waiting to bring in their whirlwinds of opposites-making the light dark, howling at silences, and wringing all the wetness out of the air like a great, soaked sponge. At this moment, though, the storm had not yet hit, and the whole world simply waited. The air was so damp and warm that it was nearly solid. My scalp sweated into my braids, and my smocked dress had become crinkled with my grubby handprints.
I remember the staccato barking of a neighborhood dog.
I remember the far-off rumble of a revving engine. This was likely my aunt, fixing yet another neighbor's car. My aunt was a mechanic, and people said she had magic hands. She could take any broken machine and make it live again.
I remember the strange, electric hum of cicadas calling to one another from tree to tree to tree.
I remember the floating motes of dust and pollen hanging in the air, glinting in the slant of light.
I remember a series of sounds from my neighbor's backyard. A man's roar. A woman's scream. A panicked gasping. A scrabble and a thud. And then, a quiet, awestruck Oh!
Each one of these memories is clear and keen as broken glass. I had no means to understand them at the time-no way to find the link between distinct and seemingly unrelated moments and bits of information. It took years for me to learn how to piece them together. I have stored these memories the way any child stores memory-a haphazard collection of sharp, bright objects socked away on the darkest shelves in the dustiest corners of our mental filing systems. They stay there, those memories, rattling in the dark. Scratching at the walls. Disrupting our careful ordering of what we think is true. And injuring us when we forget how dangerous they are, and we grasp too hard.
I opened the back gate and walked into the old lady's yard, as I had done a hundred times. The chickens were silent. The cicadas stopped humming and the birds stopped calling. The old lady was nowhere to be seen. Instead, there in the center of the yard, I saw a dragon sitting on its bottom, midway between the tomatoes and the shed. It had an astonis...