Detransition, Baby: A Novel - book cover
Literature & Fiction
  • Publisher : One World
  • Published : 12 Jan 2021
  • Pages : 352
  • ISBN-10 : 0593133374
  • ISBN-13 : 9780593133378
  • Language : English

Detransition, Baby: A Novel

NATIONAL BESTSELLER • The lives of three women-transgender and cisgender-collide after an unexpected pregnancy forces them to confront their deepest desires in "one of the most celebrated novels of the year" (Time)

"Reading this novel is like holding a live wire in your hand."-Vulture

ONE OF THE BEST BOOKS OF THE YEAR-The New York Times Book Review, NPR, New York Public Library, Esquire, Marie Claire, and Kirkus Reviews • Longlisted for The Women's Prize • Roxane Gay's Audacious Book Club Pick • New York Times Editors' Choice


Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.

Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese-and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby-and that she's not sure whether she wants to keep it-Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family-and raise the baby together?

This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

Editorial Reviews

"Detransition, Baby is so good I want to scream."-Carmen Maria Machado

"This book is exhilaratingly good."-Jia Tolentino

"An unforgettable portrait of three women, trans and cis, who wrestle with questions of motherhood and family making . . . Detransition, Baby might destroy your book club, but in a good way."-Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl

"A tale of love, loss, and self-discovery as singular as it is universal, and all the sweeter for it."-Entertainment Weekly

"It's the smartest novel I've read in ages. I wish I could figure out how it manages to be utterly savage & lacerating while also conveying endlessly expanding compassion. It's kind of a miracle."-Garth Greenwell

"If I had the ability to momentarily wipe my memory, I'd use it to reread Detransition, Baby for the first time."-Vogue

"Even the most complimentary adjectives feel insufficient to describe Torrey Peters' first novel."- Bookpage (starred review)

"This emotionally devastating, culturally specific, endlessly intelligent novel is . . . really, really
funny."-Austostraddle

"A fiercely confident novel."-O: The Oprah Magazine

"With heart and savvy, [Detransition, Baby upends] our traditional, gendered notions of what parenthood can look like."-The New York Times Book Review

"[Peters] confronts the unruliness of our desires, and our vitality as we struggle within their limits."-The New Yorker

"[An] electrifying debut . . .  a deeply searching novel that resists easy answers."-Esquire

"Peters's soap opera-meets-modern-cultural-analysis is witty, emotional, and eye-opening."-People

"[Peters gets] to the very heart of what it means to exist as a gendered being in the world."-them
 
"Funny and gossipy and insightful and cutting and absolutely delicious, all while tackling issues from a lens that has been missing from the literary world for way too long."-Refinery29

"‘[Detransition, Baby] is going to play a role in defining the literature of 2021 and beyond."-The Millions

"Plenty of books are good; this book is alive."-Jordy Rosenberg, author of Confessions of the Fox

Readers Top Reviews

Laura FenwickCarolyn
This is a story of Reese, a trans woman living in New York who thought she had it all, almost, until her relationship with Amy ends. Now in self-destruct mode, she’s using sex with random (often married) men to avoid how lonely she is. At the end of their relationship, Amy made the decision to Detransition and now, as Ames, is having an affair with his recently divorced boss, Katrina. When Katrina unexpectedly falls pregnant, Ames isn’t sure he can be a father, as much as he feels he wants to be a parent with Katrina. His solution is to ask his ex, Reese, to co-parent with them. This will support his need to not be seen as the traditional male father figure, will fulfil Reese’s deepest desire to be a mum and Katrina won’t be alone in raising a baby. The story jumps between present day, through the first trimester of the pregnancy, to Reese and Amy’s courtship and relationship, and with glimpses into their childhoods. Although I found this to be a little preachy and pretentious at points, I loved it. I completely get why it was Long Listed for @WomensPrize for Fiction. I loved Reese. I loved her story, I rooted for her, I felt her longing to be a mum and wanted her to find that happiness and fulfilment. Ames story opened my eyes to why someone would chose to Detransition, how much someone can struggle with their truest identity. It opened my eyes as to why the triad parenting would seem like the optimal solution which, to be honest, I was a bit unsure would make sense when I first started reading this. Katrina might have bugged me a little 😂 This is a story of motherhood, and I thought the story was told so honestly and openly and beautifully and I definitely think you should read it, if you haven’t already.
Average JaneKindle
This book irritated the crap out of me. I didn't like any of the characters. The premise was ridiculous. I'm not sure that transgender people are as miserable as this book makes them out to be. I felt like there was way too much exposition. If you're going to launch into a crazy premise like this, stick to the premise. What made Katrina (Was that her name? I just read it and can't remember.) come around and introduce Reese as the other mother at the essential oils party? THAT would be interesting. Have the baby and tell us the story of making that work out. THAT would be interesting. There are so many ways this book could have been interesting, but it just wasn't. I wish it had told the story it sold me for $13.99.
Jane C.Amy Boyajian
The author is talented, but the characters were unlikeable. It also really dragged, mostly because reading the thoughts of the characters as they indulged in excessive self reflection was very boring.
Lucy Merriman
This is beautiful, strange and humane. All the characters are complex and unexpected, and the non-linear storytelling works really well.
MsTikl1DomeniqueCY
The author certainly has potential as a writer, but the plot goes nowhere and the premise is - you gotta be kidding! For someone claiming to know what it's like to be a women - even better than a real woman - the author gets it SO WRONG it's not even funny. Lots of bitter snark and cleverly weaponized banter, if that's what you like. The main character is a self-centered, shallow mess pretending to be deep bcuz: reasons. The protagonist shows no real insight or evolution - simply remains a narcissist who refuses to be a responsible adult. Bringing chaos into the lives of others while claiming victimhood is not edgy - it's pathetic. For Peters' characters, it's all about fetishized sex - not true gender dysphoria (Ames comes close). A lot of disparaging het lifestyles while trying to appropriate the same. Good way to alienate potential supporters. A very politicized view of bathroom politics (who cares? just go!) and what it means to be a woman. No born woman I know refers to herself as "cis" - how labelling is that? and not one of them has a penis. I can already see the offended reactions: don't you dare criticize me or tell the truth because my outrage will incinerate you. It's fine to intimidate or yell others into submission, and avoid logic at all costs. Well, how tiresome. I don't need to read more in a book. The unbelievable plot plodded just along.... yawn. It was so boring and predictable I couldn't believe I bothered to continue reading it; I kept hoping sometime - anything - interesting would happen. What a waste of time and money. The end sucked too - as if the author couldn't figure out how to stop. Returning it - the first book I have ever returned.

Short Excerpt Teaser

Katrina sits in the roller chair before Ames's desk. The moment has an air of uncommon inversion. Because she is his boss, Ames nearly always goes to her office and sits in front of her desk. Her office, corresponding to their relative places in the corporate hierarchy, is double the square footage of his, with two full windows looking out on two neighboring buildings, and between them, a sliver of East River view. By contrast, Ames's office has one window overlooking a small parking lot. Once, in the twilight, he saw a brown creature trotting spritely across the pavement-and has since maintained that it was an urban coyote. One takes one's excitements where one may. 

Katrina rifles through a briefcase, pulls out a manila folder, and plops it on his desk. Her coming to his office makes him tense, like a teenager whose parents have entered his room. 

"Well," she says. "It's real. This is happening." He reaches for the folder. He has good posture, and gives her an easy smile. The folder opens to reveal printouts from an online patient portal. 

"My gyno," Katrina says, watching him closely. "She followed up with a blood test and a pelvic exam. She confirmed the home test results. Without an ultrasound, she can't say how far I am, so I had one scheduled for the Thursday after next. I mean, I know you maybe aren't sure yet how you feel about it, but maybe if you come, that'll help? If I'm more than four weeks into it, we'll be able to see the baby-or I guess, embryo?"

He is aware that she is scrutinizing him for a reaction. He had been unable to give one after the pregnancy test came back positive. He feels the same numbness that he felt then, only now, he can no longer delay by telling her that he wants to wait for official confirmation to get his emotions involved. "Amazing," he says, and tries out a smile that he fears might be coming off as a grimace. "I guess it's real! Especially since we have"-he searches briefly for a phrase, and then comes up with one-"an entire dossier of evidence."

Katrina shifts to cross her legs. She's wearing casual wedge heels. He always notices her clothing, half out of admiration, and half out of the habit of noting what's going on in the field of women's fashion. "Your reaction has been hard to read," she says carefully. "I don't know, I thought maybe if you saw it in black and white, I'd be able to gauge how you were actually feeling." She pauses and swallows. "But I still can't." He sees the effort it costs her to muster this level of assertion.

He stands up, walks around the desk, and half sits against it, just in front of her, so his leg is touching hers.

He rotates the printouts, there's a list of test results, but he can't make sense of them. His brain shorts out when he cross-references the data that they clearly show-he is a father-to-be-with the data he stores in his heart: He should not be a father.

Three years have passed since Ames stopped taking estrogen. He injected his last dose on Reese's thirty-second birthday. Reese, his ex, still lives in New York. They haven't spoken in two years, although he sent her a birthday card last year. He received no response. Throughout their relationship, she had always talked assuredly about how she'd have a kid by age thirty-five. As far as he knows, that hasn't happened.

It is only now, three years after their breakup, that Ames is able to talk about Reese casually, calling her "my ex" and moving the conversation along without dwelling. Because in truth, he still misses her in a way that talking about her, thinking about her, remains dangerous to indulge in-as an alcoholic can't think too much about how much she'd really like just one drink. When Ames thinks hard about Reese, he feels abandoned and grows angry, morose, and worst of all, ashamed. Because he has trouble explaining exactly what he still wants from her. For a while he thought it was romance, but his desire has lost any kind of sexual edge. Instead, he misses her in a familial way, in the way he missed and felt betrayed by his birth family when they cut off contact in the early years of his transition. His sense of abandonment plucked at a nerve deeper, more adolescent than that of jilted adult romantic love. Reese hadn't just been his lover, she'd been something like his mother. She had taught him to be a woman . . . or he'd learned to be a woman with her. She had found him in a plastic state of early development, a second puberty, and she'd molded him to her tastes. And now she was gone, but the imprint of her hands remained, so that he could never forget her.

He hadn't understood how little sense he made as a person without Reese until after she began to detach from him, until the lack of her became so painful th...